Built some 4,000 years ago, Corrimony Cairn is a passage grave of the Clava type. Built by neolithic farmers, skilled in working stone, they were the first people to domesticate animals, till the land and clear the forests for farming, their society was cooperative.
Corrimony Chambered Cairn was built for collective burials, the beliefs of the builders remain unknown, it is believed these people existed from 3,500BC to 1,500Bc. Each group had their own collective tomb, built with the help of other groups in the area, with feasts and gifts being given to the helpers.
The astronomical alignment and orientation (the entrance passage is orientated towards the south west), has led people to suggest that the builders of Corrimony Chambered Cairn believed in the migration of the souls of the dead to the stars.
There is eveidence in some tombs that the bodies were prepared for the journey, with the bodies being dimembered, ceramic vessels shattered and animal bones indicate food offerings. Fires were then lit so the tomb acted as a crematorium.
Pieces of the original capstone, decorated with cup-mark designs, are still to be seen on top of the cairn. For a monument built four thousand years ago, Corrimony Chambered Cairnis remarkably well preserved, the best example in the region. Corrimony-cairn5.jpgIt was excavated in 1952, in the centre of the cairn there was only a dark stain visible evidence that any remains had deteriorated in the acid soil.
There are 12 standing stones surrounding Corrimony Cairn, is suspected that some of these may have been added since the building of the original cairn.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.