Inverness Castle sits on a cliff overlooking the River Ness. The red sandstone structure evident today was built in 1836 by architect William Burn. It is built on the site of an 11th-century (c. 1057) defensive structure. Today, it houses Inverness Sheriff Court.
The castle is said to have been built by Máel Coluim III of Scotland, after he had razed to the ground the castle in which Macbeth of Scotland according to much later tradition, murdered Máel Coluim's father Donnchad I of Scotland, and which stood on a hill around 1 km to the north-east.
The first Inverness Castle was partially destroyed by King Robert I of Scotland and a replacement castle was sacked in the 15th century by the Clan Donald during the Siege of Inverness (1429). The castle was occupied during the Raid on Ross in 1491.
In 1548 another castle with tower was completed by George Gordon, 4th Earl of Huntly (1514–1562). He was constable of the castle until 1562. The castle was later taken by the Clan Munro and Clan Fraser who supported Mary Queen of Scots during the Siege of Inverness (1562). Robert Mor Munro, 15th Baron of Foulis, chief of the Clan Munro was a staunch supporter and faithful friend of Mary Queen of Scots and he consequently was treated favourably by her son James VI.
The current Inverness Castle was built in 1836 on the site of the original one. To improve the more recent castle, a gas, light, and water system was installed.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.