Tulloch Castle probably dates to the mid-16th century, when Duncan Bane was granted the barony of Tulloch in 1542. Over the years, it has served as a family home for members of the Bain family and Clan Davidson, as a hospital after the evacuation of Dunkirk, and as a hostel for the local education authority. It is currently used as a hotel and conference centre.
Tulloch Castle has been subject to several structural changes throughout its existence. There are two records of fires, in 1838 and 1845, when areas of the castle were destroyed. There are also records of renovations and extensions to the castle in 1513, 1665, 1675, 1747 and in the early 1920s when the roof was replaced, stonework around the windows was repaired and electric lighting was installed.
Tulloch Castle has many interesting features. A tunnel runs from the basement of the castle under the town of Dingwall to the old site of Dingwall Castle. The tunnel has now collapsed, but it is possible to view this passageway through an air vent on the front lawn of the castle’s grounds.
There is a Davidson cemetery in the grounds of the castle for family members and pets. The graveyard is surrounded by a metal fence and has become overgrown, though some of its headstones are still visible.
The castle had two gatehouses and entrance paths. The west gatehouse no longer exists but the other gatehouse still exists as a privately owned house. This gatehouse was built in 1876 and the path which connects it to the castle has become a public road. This road is still used as the main entrance to the castle today.
On a hill to the north of the castle stands 'Caisteal Gorach', a late 18th-century folly which was designed by Robert Adam for Duncan Davidson of Tulloch. The folly comprises a ruined round tower and flanking walls, and is a category A listed building.References:
It was Phyllis Vickers who in 1994 inherited the barony of Tulloch. The current Baron is Dr. David Willien of Tulloch.
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.