The Grey Cairns of Camster are two large Neolithic chambered cairns in the Highland region of Scotland. They are among the oldest buildings in Scotland, dating to about 5,000 years ago. The cairns demonstrate the complexity of Neolithic architecture, with central burial chambers accessed through narrow passages from the outside. They were excavated and restored by Historic Scotland in the late 20th century and are open to the public.
The cairns, which are considered to be examples of the Orkney-Cromarty type of chambered cairn, were constructed in the third or fourth millennium BC in a desolate stretch of boggy peat-covered moorland in the Flow Country of Caithness. They consist of two structures standing 180 m apart, known as Camster Round and Camster Long. A third cairn, located about 120 metres away from Camster Round, is not considered to be part of the grouping. Although the surrounding countryside is now inhospitable and sparsely inhabited, during the Stone Age it was fertile farming land and only became covered in peat during the Bronze Age.
Camster Long is a 60 m long cairn with 'horns' at each end. The two chambers appear to have originally been constructed within separate round cairns, which were only later incorporated into a single long cairn for unknown reasons.
Camster Round is, as the name suggests, a circular cairn; it measures 18 metres in diameter by 3.7 metres high. It is virtually intact with a high vaulted chamber at its centre, accessed from a passage 6 metres long and 0.8 metres high at the east-south-east side of the cairn. The passage appears to have been deliberately put out of use by blocking it up with stones piled up to the height of its roof.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.