The Rubenshuis ('Rubens House') is the former home and studio of Peter Paul Rubens (1577–1640) in Antwerp. It is now a museum.
A year after marrying Isabella Brant in 1609, Rubens began construction on an Italian-style villa at the time located at the banks of the canal Herentalse Vaart. Rubens designed the building himself, based on studies of Italian Renaissance palace architecture that also formed the basis of his Palazzi di Genova. The layout included his home, studio, a monumental portico and an interior courtyard. The courtyard opens into a Baroque garden that he also planned.
In the adjacent studio he and his students executed many of the works for which Rubens is famous. He had established a well-organised workshop that met the demands of his active studio, including large commissions from England, France, Spain and Bavaria and other locations. He relied on students and collaborators for much of the actual work. Rubens himself, however, guaranteed the quality and often finished paintings with his own hand. In a separate private studio he made drawings, portraits and small paintings without the assistance of his students and collaborators.
Rubens spent most of his lifetime in this palace. After his death, his wife Helena Fourment rented the building to William Cavendish and his wife. After the Cavendishes left in 1660, the house was sold.
The city bought the house in 1937, and after an extensive restoration the Rubenshuis was opened to the public in 1946. Dozens of paintings and artworks by Rubens and his contemporaries were installed in the rooms, as well as period furniture. Paintings include his early Adam and Eve (c. 1600) and a self portrait made when he was about fifty.
The Rubenianum, a centre dedicated to the study of Rubens, is in a building at the rear of the garden.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.