Construction work on the Church of Our Lady (Onze-Lieve-Vrouwekerk) began in 1199 on the initiative of Count Baldwin IX. The church was located on the estate of Kortrijk that was fortified and completely walled in, with the exception of an area on the Leie. Of this early Gothic church only the west facade, the nave and the transept remain. The towers were constructed at the end of the 13th century. After the Battle of Westrozebeke in 1382 the church was largely destroyed and rebuilt. At a later stage the interior was decorated in Baroque style.
Following the Battle of the Golden Spurs in 1302, which took place on the nearby Groeninge field, the Flemish hung five hundred golden spurs from French knights who had been slain in the choir in thanks to Our Lady of Groeninge. In 1382, Breton mercenaries took them together with other valuables following the Battle of Westrozebeke. The spurs were later replaced by copies that still hang in the church. The Church of Our Lady conceals a number of art treasures such as the 'Erection of the cross' by Anthony Van Dyck.
In 1370, Count Lodewijk van Male constructed the Counts' chapel as a mausoleum for himself. In the chapel you can admire the stunning wall paintings of the counts of Flanders and the statue of the Holy Catharina (a famous masterpiece). The stained glass windows accentuate the church's noble character: the counts of Flanders, knights in armour during the Battle of the Golden Spurs etc.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.