Brugge is an outstanding example of a medieval historic settlement, which has maintained its historic fabric as this has evolved over the centuries, and where original Gothic constructions form part of the town's identity. As one of the commercial and cultural capitals of Europe, Brugge developed cultural links to different parts of the world. It is closely associated with the school of Flemish Primitive painting.
Brugge in medieval times was known as a commercial metropolis in the heart of Europe. The city reflects a considerable exchange of influences on the development of art and architecture, particularly in brick Gothic, which is characteristic of northern Europe and the Baltic. This architecture strongly determines the character of the historic centre of the city.
The 11th century city walls marked the boundaries of the medieval city. Although the walls themselves are lost today, they remain clearly visible, emphasized by the four surviving gates, the ramparts and one of the defence water towers. The medieval street pattern, with main roads leading towards the important public squares, has mostly been preserved, as well as the network of canals which, once used for mercantile traffic, played an important role in the development of the city.
In the 15th century, Brugge was the cradle of the Flemish Primitives and a centre of patronage and painting development for artists such as Jan van Eyck and Hans Memling. Many of their works were exported and influenced painting styles all over Europe. Exceptionally important collections have remained in the city until today.
Even after its economic and artistic peak at the end of the Middle Ages, building and urban development continued, although Brugge mostly missed the 19th-century industrial revolution. In the 18th and 19th centuries, many medieval parcels were joined to larger entities and new quarters were also developed. The most striking examples of large scale post-medieval interventions in the historic centre are the urbanization around Coupure (1751-1755), the Zand and the first railway station (1838), the Theatre quarter (1867), the Koningin Elisabethlaan and Gulden Vlieslaan (1897) and the creation of the Guido Gezelle-neighbourhood (1920-1930).
Brugge is characterized by a continuity reflected in the relative harmony of changes. As part of this continuity, the late 19th century renovation of facades introduced a Neo-Gothic style that is particular for Brugge. The Brugge ‘neo’ style of construction and its restoration philosophy became a subject of interest, study and inspiration.Still an active, living city today, Brugge has preserved the architectural and urban structures which document the different phases of its development including the central Market Place with its belfry, the Béguinage, as well as the hospitals, the religious and commercial complexes and the historic urban fabric.References:
The Palace of the Grand Dukes of Lithuania was built originally in the 15th century for the rulers of the Grand Duchy of Lithuania. The Royal Palace in the Lower Castle evolved over the years and prospered during the 16th and mid-17th centuries. For four centuries the palace was the political, administrative and cultural center of the Grand Duchy of Lithuania.
Soon after the Grand Duchy of Lithuania was incorporated into Tsarist Russia, Tsarist officials ordered the demolition of the remaining sections of the Royal Palace. The Palace was almost completely demolished in 1801, the bricks and stones were sold, and the site was bowered. Only a small portion of the walls up to the second floor survived, that were sold to a Jewish merchant Abraham Schlossberg around 1800 who incorporated them into his residential house. After the 1831 uprising, the czarist government expelled Schlossberg and took over the building as it was building a fortress beside it. Before the Second World War it was the office of the Lithuanian Army, during the World War II it was the office of the German Army, and after World War II it was used by Soviet security structures and later transformed into the Palace of Pioneers. Fragments of Schlossberg's house have become part of the Eastern Wing of the restored Royal Palace.
A new palace has been under construction since 2002 on the site of the original building. The Royal Palace was officially opened during the celebration of the millennium of the name of Lithuania in 2009.