Saint Michael's Church was built between 1650 and 1671 for the Jesuit College of Leuven by Jesuit architect Willem Hesius. Initially it was built as a house of prayer for the Jesuit monastery. Following the Franco-Spanish war the Spanish members of the community were ordered to leave France, and in 1542 seven Spanish Jesuits came to Leuven.
The facade of the church with its rich decorations is one of the so-called seven wonders of Leuven. The Jesuit order was abolished in 1773. When the local parish church of Saint Michael was in disrepair, the parish church of Saint Michael was transferred to the Jesuit-built church. A copper holy-water font of 1473 near the entrance, was transferred from the old church of Saint-Michael. The porch altars, communion rail and confessionals date back to the original 17th century original baroque furnishings.
The church was almost completely destroyed during bombardment of the city on the night of 10-11 May 1944. Luckily the frontal facade remained undamaged. Rebuilding of the church was completed in 1950.
Along each side nave is a collection of confessional boxes (17th century, Brabant baroque) linked together to form a whole. They are decorated with carvings of angels, statues and depictions of scenes relating to the Eucharist and the confession.
The original pulpit was transferred in 1776 on the order of Empress Maria—Theresia to the cathedral in the city of Brussels (where it can still be found today). The pulpit from Brussels was brought to Leuven. It was made for the Brussels cathedral by Simon Duray in 1667. On transfer to Leuven, the original images of St. Goedele, St. Michiel and the four evangelists were removed.
In the church there are many wooden statues of Christ, Our Lady with child and various saints. The paintings of the calvary stations date from the early and mid 19th century, by different Flemish painters. Several valuable works of art, both statues and paintings, have been given to the Municipal Museum of Leuven for safe keeping.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.