The Town Hall of Leuven is a landmark building on that city"s Grote Markt (Main Market) square, across from the monumental St. Peter"s Church. Built in a Brabantine Late Gothic style between 1448 and 1469, it is famous for its ornate architecture, crafted in lace-like detail.
The building today known as the Town Hall was the Voirste Huys of a larger complex of municipal buildings on which construction started in 1439 at the site of an existing town hall. The first architect, Sulpitius Van Vorst, died soon after the back wings of the complex got started and was succeeded briefly by Jan Keldermans II, whose death in 1445 ended the first construction campaign. The project resumed in 1448 under the direction of Matheus de Layens. The first stone of the Voirste Huys was laid on 28 March of that year. The cellars of some demolished houses were incorporated into the new construction and can today be accessed through a small door at the left side of the Town Hall. The initial plans, influenced by the town hall at Brussels, included a belfry tower at one of the corners. This design was modified by de Layens, resulting in the symmetrical arrangement of turrets observed today. The exterior masonry and roof were finished in 1460, and in 1469 the building was complete.
In the 19th century, the Town Hall underwent renovations made necessary by centuries" worth of decay. The building remained standing amid the devastation of Leuven during World War I, escaping with only minor damage. In the Second World War, a bomb strike in front of the building caused yet more damage; it took until 1983 before repairs were completed.
The Town Hall has three main stories, lined with pointed Gothic windows on the three sides visible from the Markt. Above is a gallery parapet, behind which rises a steep roof studded with four tiers of dormers. At the angles of the roof are octagonal turrets pierced with slits allowing for the passage of light.
Statues in canopied niches are distributed all over the building. The corbels supporting the statues are carved with Biblical scenes in high relief. While the niches and corbels are original with the building, the 236 statues themselves are relatively recent, dating from after 1850. Those of the first floor represent personages of importance in the local history of the city; those of the second, patron saints and symbolic figures; those of the third, the Counts of Leuven and Dukes of Brabant from various ages.
The main façade has an entrance staircase, and two portals in the center, above which are figures of Saint Peter (left) and Madonna and Child (right), the former in compliment to the patron of the church opposite.
The interior accommodates an interesting collection of artwork, including sculptures by Constantin Meunier and Jef Lambeaux. Inside can also be seen the portraits of the Leuven mayors since 1794.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.