Castle of Countess Jeanne de Merode, also called as 'New Castle', was built between 1909-1912 in a neogothic style by architect Pierre Langerock as the residence of Countess Jeanne de Mérode. Jeanne de Mérode was born in Paris in 1853 as a daughter of Charles-Antoine Ghislain de Mérode-Westerloo, Marquess of Westerlo and Princes Marie-Nicolette d'Arenberg. She remained unmarried and devoted her life to religion and charitable works. To provide employment for the population of Westerlo (especially for young girls and women) she founded a carpet factory in Westerlo. She also financed a church, a school and a monastery in Heultje, and a home for the elderly in Westerlo. She lived with her parents and siblings in the 'old castle' until the death of her brother, Count Henri de Mérode, in 1908. At that time she decided to move out. She planned to reside in the castle of Grimbergen which she had inherited from her father. As she was very popular with the local population, the people of Westerlo begged her to stay in the region.
From 1909 onwards the vast castle was constructed hardly a kilometre away from her paternal residence. The architecture of the facades was inspired by the early 16th century late Gothic wing of the nearby abbey of Tongerlo. A more aristocratic appearance was achieved by adding four small and one large tower, as well as a bell tower in the form of a crown. Although both interior and exterior were executed in a historical style, the building contained many 'modern' features that were very rare on the countryside at the beginning of the 20th-century. The cross-beams supporting the roof were in steel, and the building had electric lighting, an electric elevator, central heating, running water, WC's and bathrooms.
As Jeanne de Mérode was very devout the Castle also had its own private chapel. On the altar she kept her most important treasure, the famous Mérode Altarpiece by the 15th century painter Robert Campin. After her death it was acquired from her heirs by the Metropolitan Museum in New York for the Cloisters collection.
When German troops invaded Belgium in 1940 the castle was confiscated and used as a local headquarters by the Nazis. Countess Jeanne moved back to the 'old castle' of Westerlo where she died on 1 July 1944, few months before the liberation of Belgium. She left the castle to a monastic order of sisters. The building was used by the church as a home for retired priests until it was sold to the municipality of Westerlo in the 1970s. It has served as the Town Hall of Westerlo ever since.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.