Herkenrode Abbey is a former monastery of Cistercian nuns. Since 1972 some of the surviving buildings have served as the home of a community of the Canonesses of the Holy Sepulchre, who have since built a new retreat center and church on the site.
The abbey was founded in or about 1182 by Count Gerard of Loon, who sold a part of his lands to raise funds for his participation in the Crusades, and used some of the proceeds to endow a Cistercian monastery for nuns.
In 1217 the abbey was formally accepted into the Cistercian Order, the first, and also the greatest and wealthiest, women's monastery of the Order in the Low Countries. The nuns referred to themselves as the 'noble ladies of the Order of Cîteaux of the County of Loon'.
After Count Gerard was killed during the Third Crusade at the Siege of Acre in 1191, his body was brought back by the same Archbishop Rudolph, who had led an army to the siege. Rudolph reached, though, only as far as Switzerland, dying there on the way home. Gerard was buried in the church of the abbey he had founded, which from then on became the burial place of all the Counts of Loon. This custom continued up to the last Count to die with that title, Dietrich of Sponheim (d. 1361), who was refused burial here because he had been excommunicated.
In 1366 the County of Loon passed into the possession of the Prince-Bishops of Liège, with whom the nuns succeeded in remaining on good terms.
During the 15th century the abbey, like many others, suffered a severe decline, but from around 1500 enjoyed a revival. In the 18th century a total reconstruction was planned, of which the Neo-Classical abbesses' lodgings was built, as well as an English garden, still intact, with exotic trees.
The French Revolutionary Army invaded the region in 1795 and annexed it to France. During a policy of anti-Catholic measures which were in effect from 1795-1799, they seized the abbey and expelled the nuns, as a result of which the monastic community was permanently dispersed. The abbey was sold to Claes and Libotton, after which the buildings gradually fell into disrepair. In 1826 a fire destroyed much of the church, which had been in use as a factory, after the stained glass windows had been replaced by clear glass. In 1844 the remaining ruins were demolished, including the mausoleum of the Counts of Loon. Many artworks from the church have survived and are kept in museums.
In 1972 the Canonesses Regular of the Holy Sepulchre bought part of the old abbey grounds with their remaining buildings. They have since built a new monastery and retreat center. Ten years later, they built the Church of the Risen Lord, which now serves the canonesses and their guests.
Much restoration work has taken place on the remaining buildings of the previous abbey, all of which date from the 16th-18th centuries.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.