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Founded: 1147/1663Category: Religious sites in Germany
Historical period: Hohenstaufen Dynasty (Germany)
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Dedicated to John the Baptist, the Steingaden abbey was founded in 1147 as a Premonstratensian house by Welf VI, third son of Henry the Black, Duke of Bavaria, and brother of Duke Henry the Proud. The first monks and their abbot came from the Premonstratensian Rot an der Rot Abbey. The Romanesque abbey church was dedicated in 1176. Between 1470 and 1491 the abbey buildings were refurbished under Abbot Caspar Suiter in the Late Gothic style. Welf VI and his son Welf VII were both buried here.
The abbey was looted and burnt in 1525 during the German Peasants' War, and was later almost completely destroyed in the Thirty Years' War. Reconstruction was completed in 1663 under Abbot Augustin Bonenmayr in the style of the early Baroque. During the 1740s the nave of the church was redecorated in the Rococo style.
The abbey's prestigious building projects, combined with its inaccessible location, brought it into financial difficulties which remained insuperable to the end of its existence.
Steingaden Abbey was dissolved in 1803 during the secularisation of Bavaria. The monastic buildings were bought at auction by the Meyer brothers from Aarau, who demolished them in 1819, except for the wing containing the Romanesque cloisters.
The former abbey church, the Welfenmünster, dedicated to Saint John the Baptist, is a Romanesque building of the 1170s under an extravagant Rococo refurbishment carried out by Johann Georg Bergmüller throughout the whole of the 1740s. It survived the dissolution as the parish church of Steingaden, which it remains.
The abbey church was the place of burial of the founder, Welf VI, who died in 1191, and his son Welf VII, who predeceased his father in 1167. Their elaborate tomb was destroyed in 1525. The church retained however a carved sandstone panel of the Welf arms, dating from about 1200 which may well have formed part of the destroyed tomb. Apart from seals and seal impressions this is the oldest known surviving heraldic representation in Germany. The panel was acquired by the Bayerisches Nationalmuseum in Munich in 1861.
References:The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.