The Benedictine priory and erstwhile abbey of Andechs is a place of pilgrimage and famed for its flamboyant Baroque church (1712). The abbey runs a brewery, Klosterbrauerei Andechs.
The site of Andechs was originally occupied by a castle belonging to the counts of Dießen on the Ammersee, probably built on a Roman castrum, and remained the seat of the powerful counts of Dießen-Andechs (1135 to 1180) and dukes of Andechs-Merania (1180 to 1248). In 1132 the count donated his ancestral seat at Dießen to the Holy See and moved to Andechs.
Otto II of Andechs was bishop of Bamberg, 1177 – 1196. In 1208, when Philip of Swabia, King of the Germans, was assassinated at Bamberg by Otto of Wittelsbach, members of the house of Andechs were implicated, and the castle at Andechs was razed before the family was rehabilitated.
When the dukes of Andechs-Merania were extinguished in the direct male line in 1248, the entire region was annexed by the bishop of Bamberg. A history of the house of Andechs was written by Joseph Hormayr, Baron zu Hortenburg, the historian-statesman, and published in 1796.
In 955, relics which Rasso, count of Diessen, had brought from Rome and the Holy Land to his monastery at Wörth (later called Grafrath) had been transferred to this site to preserve them from the ravages of the Hungarians. In the 12th century three consecrated Hosts, two of which are reputed to have been consecrated by Pope Gregory I the other by Pope Leo IX were added to the relics at the heilige Berg (holy mountain). The first documented pilgrimages to Andechs were in 1138, when count Berthold II ordered his subjects to make the journey to venerate the relics in the chapel of St Nicholas at the Schloss. The legendary rediscovery of long-lost reliquaries in 1388 revived the ancient pilgrimage trade. The Andechs hosts were approved by Cardinal Nicholas of Cusa, otherwise a foe of such cults of wonder hosts.
The late-Gothic collegiate church which Duke Ernest I (1392 – 1438) had erected in 1423 was changed into a Benedictine monastery by Duke Albert III in 1455, and filled with monks from Tegernsee Abbey. In 1458 it was raised to the status of an abbey, and thenceforth enjoyed a period of uninterrupted prosperity, completely remodeled in Baroque style in 1712, and forming part of the Hofmark Erling (Heiliger Berg Andechs) until its secularization in 1803. It was refounded in 1850 as a Benedictine priory, affiliated to the Abbey of St Boniface in Munich. The present church dates from the 18th century. The 20th-century German composer Carl Orff is buried there.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.