The Benedictine priory and erstwhile abbey of Andechs is a place of pilgrimage and famed for its flamboyant Baroque church (1712). The abbey runs a brewery, Klosterbrauerei Andechs.
The site of Andechs was originally occupied by a castle belonging to the counts of Dießen on the Ammersee, probably built on a Roman castrum, and remained the seat of the powerful counts of Dießen-Andechs (1135 to 1180) and dukes of Andechs-Merania (1180 to 1248). In 1132 the count donated his ancestral seat at Dießen to the Holy See and moved to Andechs.
Otto II of Andechs was bishop of Bamberg, 1177 – 1196. In 1208, when Philip of Swabia, King of the Germans, was assassinated at Bamberg by Otto of Wittelsbach, members of the house of Andechs were implicated, and the castle at Andechs was razed before the family was rehabilitated.
When the dukes of Andechs-Merania were extinguished in the direct male line in 1248, the entire region was annexed by the bishop of Bamberg. A history of the house of Andechs was written by Joseph Hormayr, Baron zu Hortenburg, the historian-statesman, and published in 1796.
In 955, relics which Rasso, count of Diessen, had brought from Rome and the Holy Land to his monastery at Wörth (later called Grafrath) had been transferred to this site to preserve them from the ravages of the Hungarians. In the 12th century three consecrated Hosts, two of which are reputed to have been consecrated by Pope Gregory I the other by Pope Leo IX were added to the relics at the heilige Berg (holy mountain). The first documented pilgrimages to Andechs were in 1138, when count Berthold II ordered his subjects to make the journey to venerate the relics in the chapel of St Nicholas at the Schloss. The legendary rediscovery of long-lost reliquaries in 1388 revived the ancient pilgrimage trade. The Andechs hosts were approved by Cardinal Nicholas of Cusa, otherwise a foe of such cults of wonder hosts.
The late-Gothic collegiate church which Duke Ernest I (1392 – 1438) had erected in 1423 was changed into a Benedictine monastery by Duke Albert III in 1455, and filled with monks from Tegernsee Abbey. In 1458 it was raised to the status of an abbey, and thenceforth enjoyed a period of uninterrupted prosperity, completely remodeled in Baroque style in 1712, and forming part of the Hofmark Erling (Heiliger Berg Andechs) until its secularization in 1803. It was refounded in 1850 as a Benedictine priory, affiliated to the Abbey of St Boniface in Munich. The present church dates from the 18th century. The 20th-century German composer Carl Orff is buried there.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.