The original Neuburg castle was built in the early Middle Ages by the Agilolfings noble family. This was acquired by the Wittelsbach dukes in 1247. When Count Palatine Otto Henry began his rule in Palatinate-Neuburg in 1522, he found a medieval fortified castle in his residence city of Neuburg, which, unlike similar than other royal residences was still not adjusted for the demands of a modern royal court. So from 1527 he ordered to re-design the castle into a Renaissance palace and to expand the artistic quality and condition to one of the most important palaces of the first half of the 16th Century in Germany. From 1537 an additional west wing was added which also includes the chapel. With his conversion to the Lutheran doctrine in 1541 the Palatine Chapel was decorated with excellent facilities, the antique-style Italian picture program painted in 1543 has been obtained. The chapel was decorated with famous frescoes by the Salzburg church painter Hans Bocksberger the Elder. The chapel is the oldest Protestant church in Bavaria. Because of the financial difficulties and bankruptcy of Otto Henry in 1544, the construction of the west wing took a long time.

Wolfgang, Count Palatine of Zweibrücken, who succeeded his cousin Otto Henry in the Duchy of Palatinate-Neuburg, ordered in 1562 to decorate the west wing facing the courtyard with elaborate Sgraffito decorations. The Knights' Hall (the lower panel room in north building) was provided in 1575 by Hans Pihel with a coffered ceiling and wall panels from a rotating timber, both of which are original. The impressive east wing was rebuilt in 1665 by Philip William, Elector Palatine in the Baroque style and complemented with two round towers.

Today the castle houses a gallery of baroque paintings, the museum is under supervision of the Bavarian State Picture Collection.

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Details

Founded: 1527
Category: Castles and fortifications in Germany
Historical period: Reformation & Wars of Religion (Germany)

Rating

4.5/5 (based on Google user reviews)

User Reviews

Ovidiu Traistaru (3 months ago)
Interesring place to visit while in a holiday or have time to spend just for relaxing and seeing new things . I recomand visiting it with patience and calm to make sure you enjoy all the things present there . It can be a time travel with some imagination :) , for sure is fun !
Deon du Rand (11 months ago)
Very big. More like a museum than a castle. Lot of reading to do in there and a lot of exhibitions and paintings. None of the reading in English though. Very warm inside probably to preserve the items. In an old peaceful town with lovely small shops around. This location is part of the 14 day ticket which we purchased at Neuschwanstein castle (also purchasable at the other sites)
Tomas Vobruba (11 months ago)
Nice place to see it. Combination of Donauradweg and this (but not only this) city and castels is really beautiful.
Mario C. Pinheiro Machado Hamberger (2 years ago)
Historical building, very interesting and has 2 museums. A very complex middle age building and very tall.
jithesh rajan (2 years ago)
Very old fort with a long heritage. View from top is awesome. Donau river side makes it a perfect place
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.