After the Old Palace burned down, the new town residence (Neues Schloss) for Margrave Friedrich von Brandenburg-Bayreuth was begun by Joseph Saint-Pierre in 1753. Margravine Wilhelmine had considerable influence on its final form, designing some of the rooms herself, including the Cabinet of Fragmented Mirrors and the Old Music Room with its pastel portraits of singers, actors and dancers. The Palm Room with its outstanding walnut panelling is a typical example of the Rococo style in Bayreuth.
On the ground floor of the New Palace today the museums 'Margravine Wilhelmine's Bayreuth' and 'Bayreuth Faience – Rummel Collection' with outstanding items from the Bayreuth Manufactory can be seen. The faience collection covers the whole period of production from its beginnings until 1788. The Gallery Rooms contain Dutch and German paintings from the 18th century.
The rooms of the small but remarkable Italian Palace are an impressive example of the 'Bayreuth rococo' style in its later manifestation with the flower tendrils, trellis rooms and grottos that were its typical features.References:
Redipuglia is the largest Italian Military Sacrarium. It rises up on the western front of the Monte Sei Busi, which, in the First World War was bitterly fought after because, although it was not very high, from its summit it allowed an ample range of access from the West to the first steps of the Karstic table area.
The monumental staircase on which the remains of one hundred thousand fallen soldiers are lined up and which has at its base the monolith of the Duke of Aosta, who was the commanding officer of the third Brigade, and gives an image of a military grouping in the field of a Great Unity with its Commanding Officer at the front. The mortal remains of 100,187 fallen soldiers lie here, 39,857 of them identified and 60,330 unknown.