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Founded: 1108-1122Category: Religious sites in Germany
Historical period: Salian Dynasty (Germany)
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Aura Abbey was a house of the Benedictine Order located at Aura an der Saale. Built on the site of an earlier castle, and dedicated to Saints Laurence and Gregory, it was founded by Bishop Otto of Bamberg between about 1108 and 1113; the foundation charter is dated 1122. The new foundation was settled by monks from Hirsau Abbey. The first abbot was Ekkehard of Aura, a monk from Bamberg, famous as the continuer of the Weltchronik of Frutolf of Michaelsberg. The Vögte were the Counts of Henneberg, although later the Bishop of Würzburg seems to have acquired some authority here.
In 1469 the abbey joined the Bursfelde Congregation, but suffered repeated disasters in the 16th century, including almost complete destruction by a rioting mob in 1525, and after rebuilding, a second destruction in 1553 during the second campaign of Albert Alcibiades, Margrave of Brandenburg-Kulmbach. It was finally dissolved in 1564 and its assets transferred to the exchequer of the Diocese of Würzburg.
An attempt at a revival was started in 1617 by Prince-Bishop Gottfried von Aschhausen, but the project was abandoned at his death in 1622, leaving some impressive remains of the unfinished church.
Very little is left of the original monastery, except for the former abbey church of St. Laurence, which is still a significant Romanesque building, although with considerable alterations and additions from the 17th and 18th centuries.
References:The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.