The Marienkirche (Saint Mary's Church) stands in the inner court of the Marienberg Fortress in Würzburg. The first Christian church at this location was built in 706 by Duke Hedan II. The structure of today's building can be traced back to the early 11th century. It is the oldest church in Würzburg and the oldest building in the fortress.
Duke Hedan II erected a small church in the year 706 during the early middle ages, which was dedicated to the virgin Mary. It was the cathedral and burial site of the Würzburg bishops until the remains of the martyrs Saint Kilian, Saint Colman und Saint Totnan were relocated to the new Würzburg Cathedral on the other side of the Main river in 788. The Marienkirche was officially transferred to the Saint Burkard monastery in 983.
When Heinrich I. was bishop, he built a new church at this location in the early 11th century, which potentially used some of the original structure and became a pilgrimage church. During the time of Konrad von Querfurt (died 1202) it became the church of the court of the dukes of Würzburg in 1200. He made substantial changes to the building, when he increased the height of the cylindrical part and installed larger windows. After a fire in 1600, the building was re-erected by prince-bishop Julius Echter. He extendend the presbytery, built a parapet and put a lantern on top of the cuppola, which contains the church bells. The interior was modernised with plasterwork in renaissance style.
The ornamental portal was made from red sandstone, when Julius Echter was bishop, as indicated by his coat of arms. It displays figures of the apostles Saint Peter and Saint Paul, and above them the annunciation and finally the bishops Kilian und Burchard of Würzburg and a madonna.
Twenty grave plates remain in the centre of the church, which show reliefs of the Würzburg bishops. The church was the traditional burial place for the prince-bishops entrails. Their bodies were typically buried at the cathedral and their hearts at Ebrach Abbey.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.