Würzburg Cathedral is the fourth largest Romanesque church building in Germany, and a masterpiece of German architecture from the Salian period.
The present cathedral, built from 1040 onwards by Bishop Bruno of Würzburg, reckoned to be the fourth largest Romanesque basilica in Germany, is the third church on the site: the previous two, built in about 787 and 855, were respectively destroyed and severely damaged by fire. After Bruno's accidental death in 1045, his successor Adalbero completed the building in 1075.
The side aisles were remodelled in about 1500 in the Late Gothic style. The stuccoist Pietro Magno decorated the cathedral in Baroque stucco work in 1701.
The greater part of the building collapsed in the winter of 1946 in consequence of the bombing of Würzburg on 16 March 1945. Reconstruction was completed in 1967, in the course of which the Baroque components were removed in favour of a re-Romanisation. The new interpretation emphasizes the contrast between the surviving historical parts of the structure, resulting in a sometimes controversial combination of predominantly Romanesque with modern and Baroque elements. The Neo-Romanesque west front with a rose window, the tripartite gallery and the opening for the clock were combined during the reconstruction with a plain pumice stone wall, and revealed again during renovation work up to November 2006. In 1988 the choir was redesigned by Hubert Elsässer.
The cathedral contains numerous works of art like baptismal font (1279) by Meister Eckart of Worms and impressive series of tombs and epitaphs of bishops, including the monumental effigies of the prince-bishops Rudolf II von Scherenberg (1495) and Lorenz von Bibra (1519).References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.