Roggenburg Abbey is widely known for its almost unchanged Baroque building and the organ concerts that are held in the church. For over three centuries, Roggenburg was one of the 40-odd self-ruling imperial abbeys of the Holy Roman Empire and, as such, was a virtually independent state. Its abbot had seat and voice at the Imperial Diet where he sat on the Bench of the Prelates of Swabia.
In 1126 Count Bertold of Bibereck, together with his wife and his two brothers, Konrad, Bishop of Chur, and Siegfried, a canon in the diocese of Augsburg, founded the monastery. The first Premonstratensian canons came from Ursberg Abbey nearby and built the first monastery church.
In 1444 the foundation was raised to the status of an abbey. The first description of Roggenburg Abbey as reichsunmittelbar dates from 1482/5; the legal consolidation of this status took place in tiny stages over the first half of the 16th century.
In the 18th century the abbey and its dependent churches were rebuilt in the Baroque style, as they are today. The conventual buildings were rebuilt in 1732. Construction of a new church began in 1752, and lasted six years. In 1802 the monastery was occupied by Bavarian troops during the secularisation of Bavaria, dissolved, and the last abbot, Thaddäus Aigler, stripped of his office.
After dissolution in 1802 the abbey church became a parish church. The rest of the abbey's property passed into private ownership, except for the buildings, which were taken over by the Bavarian government. Until 1862 a district court and rent office were accommodated here. Later the buildings were used for a variety of functions, including as a school, a forestry office and a parochial office.
In 1986 Premonstratensians again occupied the premises. On 8 November 1992 the new community was raised to the status of an independent priory of Windberg Abbey. In the interval there had arisen a training centre for family, environment and culture, a museum and a centre for art and culture, as well as gastronomical facilities. In addition, the monastery shop sells devotional items, the monastery's own wine and various other products of their own manufacture.
The Baroque abbey church was built between 1752 and 1758 to plans by Simpert Kraemer in the shape of a cross. The hall church, with extended transept and double towers, is 70 metres long, 35 metres across and has an inside height, to the highest point, of 28 metres. Today it is used as the Roman Catholic parish church of the Ascension of the Virgin Mary.
The great Baroque organ by the Ulm organ builder Georg Friedrich Schmahl of 1761 was completely replaced in 1905 by a Late Romantic construction by the Gebrüder Hindelang of Ebenhofen. This was replaced in its turn in 1955–56, with the reuse of some registers, by an instrument by the Familie Nenninger. In 1984–86 it was extensively rebuilt by Gerhard Schmid of Kaufbeuren. The appearance of the organ by Schmahl was preserved throughout all rebuildings.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.