The St.Caherine's Church of Muhu is considered one of the most remarkable early-Gothic buildings in Estonia. It was first mentioned in Hermann von Wartberge's Chronicle dated 1276. The exterior architecture of the Muhu Church is a strict monumental style and its originality is prominent. The Muhu Church has preserved its original shape. Around 1663, a little wooden steeple was added to the church, but perished together with the roof in 1941. In 1993, during the restoration period an additional roof was constructed on the facade of the church to protect the church bell.
As for the interior furnishings of the Muhu Church one will find an altar table made of dolomite, which has been preserved from the time of its original construction. Also the stone base of the baptismal basin originates from the Middle Ages.
The pulpit is in Renaissance style and was completed on 1627. It is one of the oldest in Saaremaa and was made by Balthasar Raschky. The Classicist altar was created by Nommen Lorentzen in 1827. The altar painting has survived from the original altar and the painting was finished in 1788.
In the Muhu Church and churchyard there are worth noting the trapezium-shaped tombstones with pagan symbols found only on the islands and Western Estonia. They have been traced to the 12th and 13th centuries. The most intricate tombstone is presently located in the frame of the door leading to the wall staircase. It is one of the two preserved in Estonia from the 12th-13-th centuries depicting human figures. Through discovering tombstones, bones and some other rare archaelogical finds, the church is thought to have been erected on a sacred site of the ancient Muhu inhabitants.
Reference: Estonian Evangelical Lutheran Church
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.