Vranov nad Dyjí castle was first mentioned by Cosmas of Prague in 1100 as a border sentry castle. It was built by the Dukes of Bohemia to defend the southern border of Moravia against raids from the neighbouring Austrian March. Until 1323 the castle was in royal hands but in that year king John of Bohemia pawned Vranov to a powerful Bohemian nobleman, the viceroy Jindřich of Lipá.
In 1421, during the disturbances of the Hussite Wars the Bohemian noble family of Lichtenburg took control of the castle and the contiguous market town. In 1499 it definitely passed on to Lichtenburgs as hereditary possession by the king Vladislaus II of Bohemia and Hungary. The Lichtenburg family held Vranov for almost a century, until 1516.
In the 16th century, Vranov frequently changed the holders. Probably the most significant owners were lords from the Bavarian family of Althann, cousins of the Princes of Belmonte. Wolf Dietrich of Althann purchased the castle in 1614. Nevertheless seven years later the manor was confiscated due to his participation in the rebellion of the Bohemian Estates. The confiscated castle was consequently sold to one of the Albrecht of Valdštejn's generals, Johann Ernst of Scherfenberg.
Michael Johann II Althann recovered the Vranov estate for the family in 1680. He commissioned the famous Austrian architect Johann Bernhard Fischer von Erlach to design a grand hall, known as ‘the Hall of the Ancestors’ in the Baroque style as a memorial to his Althann ancestors. It was built between 1687 and 1695. It’s an oval construction surmounted by an imposing cupola and became a dominant feature of Vranov. An Austrian sculptor, Tobias Kracker, created large statues of the ancestors in niches around the walls and another Austrian artist, Johann Michael Rottmayr, painted an allegorical glorification of the Althann family in the cupola. To complement the Hall of the Ancestors with a spiritual element, Fischer von Erlach designed a Baroque chapel, the Chapel of the Holy Trinity, which incorporated an Althann family vault. The richly decorated chapel was built in two years (1699 and 1670). After the death of Michael Johann II Althann more grand buildings were constructed, completing the transformation of the original castle complex into an up-to-date Baroque chateau.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.