Between the 17th and 20th centuries, the ruling dukes of Liechtenstein transformed their domains in southern Moravia into a striking landscape. It married Baroque architecture (mainly the work of Johann Bernhard Fischer von Erlach) and the classical and neo-Gothic style of the castles of Lednice and Valtice with countryside fashioned according to English romantic principles of landscape architecture. At 200 km2, it is one of the largest artificial landscapes in Europe and therefore a UNESCO World Heritage Site.
The House of Liechtenstein acquired a castle in Lednice in 1249, which marked the beginning of their settlement in the area. It remained the principal Liechtenstein residence for 700 years, until 1939 and World War II.
The Dukes of Liechtenstein transformed their properties into one large and designed private park between the 17th and 20th centuries. During the 19th century, the Dukes continued transforming the area as a large traditional English landscape park. The Baroque and Gothic Revival style architecture of their chateaux are married with smaller buildings and a landscape that was fashioned according to the English principles of landscape architecture.
In 1715 these two chateaux were connected by a landscape alée and road, later renamed for the poet Petr Bezruč. The Lednice Ponds are situated between the villages of Valtice, Lednice, and Hlohovec. A substantial part of the cultural landscape complex is covered in pine forests and in areas adjacent to the River Dyje with riparian forests.
In the 20th century the region became part of new Czechoslovakia The Liechtenstein family opposed the annexation of Czech territory in the fascist Sudetenland by Nazi Germany, and as a consequence their properties were confiscated by the Nazis, and the family then relocated to Vaduz in 1939. After World War II the family made several legal attempts for restitution of the properties. However, they had passed post-war into ownership by the new Soviet Czechoslovakia. Of course its Communist government did not support returning large estates to exiled aristocratic landowners.
After the Czechoslovakian Velvet Revolution in 1992, the Liechtenstein descendants again renewed legal attempts for restitution, which were denied by the Czech state, the present day owner of the properties.
The principal elements are Chateau Valtice, Chateau Lednice and the village of Hlohovec.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.