Between the 17th and 20th centuries, the ruling dukes of Liechtenstein transformed their domains in southern Moravia into a striking landscape. It married Baroque architecture (mainly the work of Johann Bernhard Fischer von Erlach) and the classical and neo-Gothic style of the castles of Lednice and Valtice with countryside fashioned according to English romantic principles of landscape architecture. At 200 km2, it is one of the largest artificial landscapes in Europe and therefore a UNESCO World Heritage Site.
The House of Liechtenstein acquired a castle in Lednice in 1249, which marked the beginning of their settlement in the area. It remained the principal Liechtenstein residence for 700 years, until 1939 and World War II.
The Dukes of Liechtenstein transformed their properties into one large and designed private park between the 17th and 20th centuries. During the 19th century, the Dukes continued transforming the area as a large traditional English landscape park. The Baroque and Gothic Revival style architecture of their chateaux are married with smaller buildings and a landscape that was fashioned according to the English principles of landscape architecture.
In 1715 these two chateaux were connected by a landscape alée and road, later renamed for the poet Petr Bezruč. The Lednice Ponds are situated between the villages of Valtice, Lednice, and Hlohovec. A substantial part of the cultural landscape complex is covered in pine forests and in areas adjacent to the River Dyje with riparian forests.
In the 20th century the region became part of new Czechoslovakia The Liechtenstein family opposed the annexation of Czech territory in the fascist Sudetenland by Nazi Germany, and as a consequence their properties were confiscated by the Nazis, and the family then relocated to Vaduz in 1939. After World War II the family made several legal attempts for restitution of the properties. However, they had passed post-war into ownership by the new Soviet Czechoslovakia. Of course its Communist government did not support returning large estates to exiled aristocratic landowners.
After the Czechoslovakian Velvet Revolution in 1992, the Liechtenstein descendants again renewed legal attempts for restitution, which were denied by the Czech state, the present day owner of the properties.
The principal elements are Chateau Valtice, Chateau Lednice and the village of Hlohovec.References:
The Kalozha church of Saints Boris and Gleb is the oldest extant structure in Hrodna. It is the only surviving monument of ancient Black Ruthenian architecture, distinguished from other Orthodox churches by prolific use of polychrome faceted stones of blue, green or red tint which could be arranged to form crosses or other figures on the wall.
The church is a cross-domed building supported by six circular pillars. The outside is articulated with projecting pilasters, which have rounded corners, as does the building itself. The ante-nave contains the choir loft, accessed by a narrow gradatory in the western wall. Two other stairs were discovered in the walls of the side apses; their purpose is not clear. The floor is lined with ceramic tiles forming decorative patterns. The interior was lined with innumerable built-in pitchers, which usually serve in Eastern Orthodox churches as resonators but in this case were scored to produce decorative effects. For this reason, the central nave has never been painted.
The church was built before 1183 and survived intact, depicted in the 1840s by Michał Kulesza, until 1853, when the south wall collapsed, due to its perilous location on the high bank of the Neman. During restoration works, some fragments of 12th-century frescoes were discovered in the apses. Remains of four other churches in the same style, decorated with pitchers and coloured stones instead of frescoes, were discovered in Hrodna and Vaŭkavysk. They all date back to the turn of the 13th century, as do remains of the first stone palace in the Old Hrodna Castle.
In 2004, the church was included in the Tentative List of UNESCO"s World Heritage Sites.