Between the 17th and 20th centuries, the ruling dukes of Liechtenstein transformed their domains in southern Moravia into a striking landscape. It married Baroque architecture (mainly the work of Johann Bernhard Fischer von Erlach) and the classical and neo-Gothic style of the castles of Lednice and Valtice with countryside fashioned according to English romantic principles of landscape architecture. At 200 km2, it is one of the largest artificial landscapes in Europe and therefore a UNESCO World Heritage Site.
The House of Liechtenstein acquired a castle in Lednice in 1249, which marked the beginning of their settlement in the area. It remained the principal Liechtenstein residence for 700 years, until 1939 and World War II.
The Dukes of Liechtenstein transformed their properties into one large and designed private park between the 17th and 20th centuries. During the 19th century, the Dukes continued transforming the area as a large traditional English landscape park. The Baroque and Gothic Revival style architecture of their chateaux are married with smaller buildings and a landscape that was fashioned according to the English principles of landscape architecture.
In 1715 these two chateaux were connected by a landscape alée and road, later renamed for the poet Petr Bezruč. The Lednice Ponds are situated between the villages of Valtice, Lednice, and Hlohovec. A substantial part of the cultural landscape complex is covered in pine forests and in areas adjacent to the River Dyje with riparian forests.
In the 20th century the region became part of new Czechoslovakia The Liechtenstein family opposed the annexation of Czech territory in the fascist Sudetenland by Nazi Germany, and as a consequence their properties were confiscated by the Nazis, and the family then relocated to Vaduz in 1939. After World War II the family made several legal attempts for restitution of the properties. However, they had passed post-war into ownership by the new Soviet Czechoslovakia. Of course its Communist government did not support returning large estates to exiled aristocratic landowners.
After the Czechoslovakian Velvet Revolution in 1992, the Liechtenstein descendants again renewed legal attempts for restitution, which were denied by the Czech state, the present day owner of the properties.
The principal elements are Chateau Valtice, Chateau Lednice and the village of Hlohovec.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.