Preuilly Abbey, the fifth daughter house of Cîteaux Abbey, was founded in 1118 by Stephen Harding on a site provided by Theobald of Blois, Count of Champagne. The first abbot was Arthaud. The abbey soon became prosperous and founded its own daughter houses, Vauluisant Abbey (1129) and Barbeau Abbey (1148). In 1146 La Colombe Abbey, founded some years previously, joined the Cistercian Order and put itself under the supervision of Preuilly.
In the 14th and 15th centuries the monastery was sacked and laid waste several times, and occupied by English troops. In 1536 it passed into the hands of commendatory abbots. It was plundered again in 1567 during the Wars of Religion and in 1652 during the Fronde. The buildings were restored at the beginning of the 18th century.
After the dissolution of the abbey in 1791 during the French Revolution the church was used as a saltpetre factory, and the other buildings were sold off at auction to different owners. Considerable demolition took place, which was brought to an end only in the years between 1829 and 1846, when a Dr. Husson bought up the site in small portions. The surviving buildings have been protected since 1927.
The church, which dates from the second third of the 12th century and had a choir with a rose window and a transept with another rose window in the south front, is in ruins, as is the chapter house. The passage from the cloister to the church survives, as do the armarium, the sacristy, the entrance portal to the monastery between two round towers, and a part of the abbot's house. The abbey's 13th-century townhouse in Provins also survives.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.