Château de Louveciennes is composed of the château itself and the music pavilion. The pavilion sits in the middle of a park that was designed in the 19th century.
The château is an approximately cubic construction, of average size and modest appearance, which borders the chemin de la Machine (n° 6), a favourite subject of the Impressionists Camille Pissarro and Alfred Sisley.
In 1684, Louis XIV ordered the construction of a château in the proximity of an aqueduct built to bring water drawn from the Seine by the Machine de Marly to the Château de Marly. The king gave the building to Baron Arnold de Ville, the engineer of Liège who had conceived the hydraulic installation. The building was later given to Louise-Françoise de Bourbon, the eldest legitimised daughter of Louis XIV and his mistress Françoise-Athénaïs, marquise de Montespan.
At Louise's death in 1743, the château passed to her daughter, the Princesse de Conti, who introduced Madame de Pompadour to court. At some point, the building reverted to the crown.
In 1769, Louis XV offered the château to his new favourite, Madame du Barry. She probably called upon Ange-Jacques Gabriel, Premier Architecte du Roi, to enlarge and redecorate the building. Gabriel added the adjoining eastern wing, as well as the decoration of carved woodwork. Louis XV often visited the château that had become known as the Château de Madame du Barry. It is there that, 22 September 1793, Madame du Barry was arrested during the French Revolution.
In the 1980s, the château was acquired by a Japanese woman and her Marseillais-born French-American husband illegally using the name of her family's company Nippon Sangyo, as a commercial asset. The couple sold all the furniture and left the building abandoned. They were sued by the company later. Occupied by squatters, the château underwent various degradations. In 1994, an attempt to remove the joinery and a chimneypiece was thwarted by the police. The owner then put the property up for sale, and it was bought by a French investor who carefully restored it.
The château was disadvantaged by its lack of a view of the Seine. Moreover, Madame du Barry considered the reception areas to be inadequate. She thus decided to build, surveying the valley of the Seine, a small separate house that would include reception rooms, the famous Pavillon de Louveciennes.
Proposals were requested of Charles de Wailly and Claude Nicolas Ledoux. In spite of the negative opinions given by several of her circle, notably Gabriel, Mme du Barry decided to retain the project of Ledoux, then at the beginning of his career. The design was completed in 1770 and construction was carried out in 1771. The inauguration took place on 2 September 1771 in the presence of the King.
References:The Gravensteen is a castle in Ghent originating from the Middle Ages. The name means 'castle of the counts' in Dutch. Arnulf I (918–965), Count of Flanders, was the first to fortify this place, building a medieval bastion on this high sand dune, naturally protected by the river Leie and its marshy banks. This bastion consisted of a central wooden building and several surrounding buildings, also in wood.
In the early 11th century, the wooden building was replaced by a stone residence, consisting of three large halls that made up three storeys, connected by a stone stairwell. The monumental stone staircase, the light openings, the fireplaces built into the walls and the latrines were signs of considerable luxury and comfort in those days. There was probably also a tower.