Bezděz Castle construction began before 1264 by order of Přemysl Otakar II. It was one of the most important royal castles in the Czech lands until its destruction in the Thirty Years' War.
A year after Přemysl’s death, the castle Bezděz, which was still unfinished, became the place of imprisonment of Queen Kunhuta and her underage son Václav II (or Wenceslas II), kept under lock and key in very spartan conditions by Wenceslas's guardian Ota Braniborský, Margrave of Brandenburg, after the Battle on the Marchfeld. The boy, only 6 or 7 at the time, remained there alone when his mother escaped under a pretext and it is widely accepted that the place left its mark on him. As an adult, and ruling monarch, he returned to Bezděz to order the construction of a chapel, one of the best preserved areas of the castle today.
The castle complex was completed during the reign of Wenceslas II, who used the local forests very frequently for hunting and relaxation. It served for this purpose until the Thirty Years' War when, as part of the round of confiscations after the Battle of the White Mountain, it fell into the hands of Albrecht of Wallenstein. The famous general started turning the castle into a fortress in 1623, but then halted the construction work. In 1627 he decided that it should be rebuilt into a monastery for the Benedictines from Montserrat, who later brought a copy of the Virgin of Montserrat (the Black Madonna) in 1666, making the castle a pilgrimage site for years to come.
In 1686 Stations of the Cross were built along the path to the castle and the whole complex served for religious purposes until 1785, when the monastery was dissolved on the orders of Josef II. Pilgrimages were banned and the castle became forlorn, slowly becoming dilapidated. The Romantic Movement's passion for medieval monuments helped preserve the castle, which is a sole preserved example of an unaltered castle of the 13th century.
Parts that are accessible to visitors are the castle precincts including the royal palace, burgrave's house and the unique early Gothic Chapel. The castle tower offers a stunning view of the surrounding landscape. The castle’s romantic silhouette gave rise to many legends and inspired a great number of writers, artists and composers, the most famous of whom included the poet Karel Hynek Mácha and the composer Bedřich Smetana.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.