Rosenburg castle is one of Austria's most visited Renaissance castles. It is situated in the middle of a nature reserve which adds to its appeal. The Rosenburg was mentioned in a document for the first time in 1175, in relation to the area of the border along the Kamp River between Poigreich and the Babenberg settlements with the centres, the Benedictine Altenburg Abbey and the Gars-Thunau castle complex.
The Grabner brothers acquired the Rosenburg in 1487. From 1593–97, under the rule and by order of Sebastian Grabner, a Lutheran, most of the Gothic Rosenburg was demolished and the castle was reconstructed in Renaissance style with 13 towers. The Rosenburg remained in the possession of the Grabner family until 1604.
Finally, the Rosenburg became the property of the House of Sprinzenstein. A period of neglect followed, then several tragedies struck. Lightning caused a fire in 1721, and another fire broke out in 1751 which destroyed part of the courtyard gate and the chapel. In 1800, another fire damaged the Rosenburg; it was barely used for some 60 years thereafter. Fortunately, the Romantic Era caused a renewed interest in castles, and the castle was renovated by Count Ernst Carl von Hoyos-Sprinzenstein senior rebuilt the castle at great personal expense between 1859 and 1889. The castle is now a museum.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.