The Palace of Mafra is a monumental Baroque and Neoclassical palace-monastery located 28 kilometres from Lisbon. The palace, which also served as a Franciscan monastery, was built during the reign of King John V (1707–1750), as consequence of a vow the king made in 1711, to build a convent if his wife, Queen Mary Anne of Austria, gave him offspring. The birth of his first daughter, princess Barbara of Braganza, prompted construction of the palace to begin. The palace was conveniently located near royal hunting preserves, and was usually a secondary residence for the royal family.
This vast complex is among the most sumptuous Baroque buildings in Portugal and at 40,000 m², one of the largest royal palaces. Designed by the German architect João Frederico Ludovice, the palace was built symmetrically from a central axis, occupied by the basilica, and continues lengthwise through the main façade until two major towers. The structures of the convent are located behind the main façade. The building also includes a major library, with about 40,000 rare books. The basilica is decorated with several Italian statues and includes six historical pipe organs and two carillons, composed of 92 bells.
The construction began by the laying of the first stone in 1717 with a grand ceremony in the presence of the king, his entire court and the Cardinal Patriarch of Lisbon. Construction lasted 13 years and mobilized a vast army of workers from the entire country (a daily average of 15,000 but at the end climbing to 30,000 and a maximum of 45,000).
The facade is 220 meters long. The whole complex covers 37,790 m² with about 1,200 rooms, more than 4,700 doors and windows, and 156 stairways. When complete the building consisted of a friary capable of sheltering 330 friars, along with a royal palace and a huge library of 40,000 books, embellished with marble, exotic woods and countless artworks taken from France, Flanders and Italy, which included six monumental pipe organs and the two carillons.
The basilica and the convent were inaugurated on the day of the King's 41st birthday on October 22, 1730. The festivities lasted for 8 days and were of a scale never seen before in Portugal. The basilica was dedicated to Our Lady and to St. Anthony.
However the building was not finished. The lantern on the cupola was completed in 1735. Work continued till 1755, when the work force was needed in Lisbon by the devastations of the Lisbon earthquake.
In 1834, after the Liberal Wars, Queen Maria II ordered the dissolution of the religious orders and the convent was abandoned by the Franciscans. During the last reigns of the House of Braganza, the palace was mainly used as a base for hunting. In 1849 the monastery part of the building was assigned to the military, a situation still in use today.
The last king of Portugal, Manuel II, following the proclamation of the republic, left on 5 October 1910 from the palace to the nearby coastal village of Ericeira on his way to exile. The palace was declared a national monument in 1907.At present, the building is conserved by the Portuguese Institute of the Architectonic Patrimony, which carried out several recovery programs, including the conservation of the main façade. A major restoration of the historical pipe organs began in 1998 and was finished in 2010.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".