São Jorge Castle is a Moorish castle occupying a commanding hilltop overlooking the historic centre of the Portuguese city of Lisbon and Tagus River. The strongly fortified citadel dates from medieval period of Portuguese history, and is one of the main tourist sites of Lisbon.
Although the first fortifications on this hilltop date from the 2nd century BC, archaeological excavations have identified a human presence in the Tagus valley as far back as the 6th century BC. The first fortification was, presumably, erected in 48 BC, when Lisbon was classified as a Roman municipality.
The hill was first used by indigenous Celtic tribes, then by Phoenicians, Greeks, and Carthaginians as a defensible outpost that was later expropriated by Roman, Suebic, Visigothic, and Moorish peoples. During the 10th century, the fortifications were rebuilt by Muslim Berber forces, these included the walls or Cerca Moura ("Moorish Encirclement").
In the context of the Christian Reconquista, the castle and the city of Lisbon were freed from Moorish rule in 1147 by Afonso Henriques and northern European knights in the Siege of Lisbon during the Second Crusade; this victory was the only notable success of that failed crusade. According to an oft-repeated legend, the knight Martim Moniz, noticing that one of the doors to the castle was open, prevented the Moors from closing it by throwing his own body into the breach, thus allowing Christian soldiers to enter at the cost of his own life. With the taking of the castle Christian forces were able to maintain the defense of Lisbon until the end of the 12th century.
When Lisbon became the capital of the kingdom in 1255, the castle served as the alcáçova, a fortified residence for Afonso III, in his role as governor. It was extensively renovated around 1300 by King Denis I, transforming the Moorish alcáçova into the Royal Palace of the Alcáçova. Between 1373 and 1375, King Ferdinand I ordered the building of the Cerca Nova or Cerca Fernandina, the walled compound that enclosed the entirety of the castle. The master builders João Fernandes and Vasco Brás were responsible for its construction. This wall, which partially replaced the old Moorish walls, was designed to encircle previously unprotected parts of the city. Completed in two years, it had 77 towers and a perimeter of 5,400 metres.
The castle and the city resisted the forces of Castile several times during the 14th century (notably in 1373 and in 1383–1384). It was during this period (the late 14th century) that the castle was dedicated to Saint George by King John I, who had married the English princess Philippa of Lancaster. Saint George, the warrior-saint, was normally represented slaying a dragon, and very was popular in both countries.
From this point onward many of the kingdom's records were housed in the Torre de Ulisses, also known as the Torre Albarrã, until the reign of Manuel I. The Portuguese National Archive is still referred to as the Torre do Tombo. Between 1448 and 1451, the master builder was paid several stipends for his work on the palace. These public works continued until 1452, with additional payments being made for labor and materials to convert the building from a fortified castle to a royal residence.
Around the early 16th century, following the construction of the Ribeira Palace beside the Tagus river, the Palace of Alcáçova began to lose its importance. An earthquake occurring in 1531 further damaged the old castle, contributing further to its decay and neglect. In 1569, King Sebastian ordered the rebuilding of the royal apartments in the castle, intending to use it as his official residence. As part of the rebuilding, in 1577 Filippo Terzi demolished one of the towers near the principal facade of the Church of Loreto. However, many of the works were never completed after the young king's apparent death during the Battle of Alcácer Quibir. The following Portuguese dynastic crisis opened the way for sixty years of Spanish rule and the castle was converted into military barracks and a prison. On 30 December 1642, Teodósio de Frias the Younger was appointed master builder to continue the works begun by his father, Luís de Frias, and his grandfather, Teodósio de Frias. This was part of a greater plan by the Spanish forces to recommission the fortification.
However, after Portugal regained its independence following the Portuguese Restoration War, the works were taken over by the Portuguese government. On 6 November 1648, Nicolau de Langres was called upon to take over the design, execution and construction of a new fortification that would surround the Castle of São Jorge and the city walls of Lisbon. In 1650 the military architect Mateus do Couto was named master builder of the project and reconstruction took on a new formality: although the military engineer João Gillot built new walls in 1652, construction again followed Couto's plans between 1657 and 1733. In 1673, the Soldiers' Hospital, dedicated to São João de Deus, was installed on the grounds beside the Rua do Recolhimento. At the end of the 17th century the Recolhimento do Castelo was constructed along the southeast angle of the courtyard, and in 1733, new projects were initiated by master Custódio Vieira.
The 1755 Lisbon earthquake severely damaged the castle and contributed to its continuing decay: apart from the walls of the old castle, the soldier's hospital and the Recolhimento were left in ruins. The necessity of maintaining a supporting military force within the capital city required expansion of the site's role of garrison and presidio. From 1780 to 1807, the charitable institution Casa Pia, dedicated to the education of poor children, was established in the citadel, while soldiers continued to be garrisoned on site. Inspired by the events of the earthquake and the following tsunami, the first geodetic observatory in Portugal was constructed in 1788 at the top of one of the towers of the castle, later referred to as the Torre do Observatório.
As part of the commemorative celebrations marking the foundation of nationhood and restoration of independence, the government of António de Oliveira Salazar initiated extensive renovations at the site. Most of the incongruous structures added to the castle compound in previous centuries were demolished and there was a partial restoration of the Recolhimento. In addition, on 25 October 1947, a monument dedicated to Afonso Henriques, presented by the city of Porto, of a replica created by Soares dos Reis (in 1887) was installed on the grounds.References:
Castle de Haar is the largest and most fairytale-like castle in the Netherlands. The current buildings, all built upon the original castle, date from 1892 and are the work of Dutch architect P.J.H. Cuypers, in a Neo-Gothic restoration project funded by the Rothschild family.
The oldest historical record of a building at the location of the current castle dates to 1391. In that year, the family De Haar received the castle and the surrounding lands as fiefdom from Hendrik van Woerden. The castle remained in the ownership of the De Haar family until 1440, when the last male heir died childless. The castle then passed to the Van Zuylen family. In 1482, the castle was burned down and the walls were torn down, except for the parts that did not have a military function. These parts probably were incorporated into the castle when it was rebuilt during the early 16th century. The castle is mentioned in an inventory of the possessions of Steven van Zuylen from 1506, and again in a list of fiefdoms in the province Utrecht from 1536. The oldest image of the castle dates to 1554 and shows that the castle had been largely rebuilt by then. After 1641, when Johan van Zuylen van der Haar died childless, the castle seems to have gradually fallen into ruins. The castle escaped from total destruction by the French during the Rampjaar 1672.
In 1801 the last catholic van Zuylen in the Netherlands, the bachelor Anton-Martinus van Zuylen van Nijevelt (1708-1801) bequeathed the property to his cousin Jean-Jacques van Zuylen van Nyevelt (1752-1846) of the catholic branch in the Southern Netherlands. In 1890, De Haar was inherited by Jean-Jacques' grandson Etienne Gustave Frédéric Baron van Zuylen van Nyevelt van de Haar (1860-1934), who married Baroness Hélène de Rothschild. They contracted architect Pierre Cuypers in 1892 to rebuild the ruinous castle, which took 15 years.
In 1887, the inheritor of the castle-ruins, Etienne van Zuylen van Nijevelt, married Hélène de Rothschild, of theRothschild family. Fully financed by Hélène's family, the Rothschilds, the couple set about rebuilding the castle from its ruins. For the restoration of the castle, the famous architect Pierre Cuypers was hired. He would be working on this project for 20 years (from 1892 to 1912). The castle has 200 rooms and 30 bathrooms, of which only a small number on the ground floor have been opened to be viewed by the public. In the hall, Cuypers has placed a statue with his own image in a corner of the gallery on the first floor.
The castle was equipped by Cuypers with the most modern gadgets, such as electrical lighting with its own generator, and central heating by way of steam. This installation is internationally recognized as an industrial monument. The kitchen was for that period also very modern and still has a large collection of copper pots and pans and an enormous furnace of approximately 6 metres long, which is heated with peat or coals. The tiles in the kitchen are decorated with the coats of arms of the families De Haar and Van Zuylen, which were for this purpose especially baked in Franeker. Cuypers marked out the difference between the old walls and the new bricks, by using a different kind of brick for the new walls. For the interior Cuypers made a lot of use of cast iron.
In the castle one can see many details which reminds one of the family De Rothschild, such as the David stars on the balconies of the knight's hall, the motto of the family on the hearth in the knight's hall (A majoribus et virtute) and the coat of arms of the family right underneath on the hearth in the library.
The interior of the castle is decorated with richly ornamented woodcarving, which reminds one of the interior of a Roman Catholic church. This carving was made in the workshop of Cuypers in Roermond. The place where later also the interiors of many Roman Catholic churches were made, designed by Cuypers. Cuypers even designed the tableware. The interior is also furnished with many works of the Rothschild collections, including beautiful old porcelain from Japan and China, and several old Flemish tapestries and paintings with religious illustrations. A showpiece is a carrier coach of the woman of a Shogun from Japan. There is only one more left in the world, which stands in a museum in Tokyo. Many Japanese tourists come to De Haar to admire exactly this coach, which was donated from the Rothschilds collections.
Surrounding the castle there is a park, designed by Hendrik Copijn, for which Van Zuylen ordered 7000 fully grown trees. Because these could not be transported through the city of Utrecht, Van Zuylen bought a house and tore it down. The park contains many waterworks and a formal garden which reminds one of the French gardens of Versailles. During the Second World War many of the gardens were lost, because the wood was used to light fires, and the soil was used to grow vegetables upon. At this time, the gardens are restored in their old splendor.
For the decoration of the park, the village Haarzuilens, except for the town church, was broken down. The inhabitants were moved to a place a kilometer further up, where a new Haarzuilens arose, where they lived as tenants of the lord of the castle. This new village was also built in a pseudo-medieval style, including a rural village green. The buildings were for the most part designed by Cuypers and his son Joseph Cuypers.