Rua Augusta Arch

Lisbon, Portugal

The Rua Augusta Arch was built to commemorate the city's reconstruction after the 1755 earthquake. It has six columns (some 11 m high) and is adorned with statues of various historical figures. Significant height from the arch crown to the cornice imparts an appearance of heaviness to the structure. The associated space is filled with the coat of arms of Portugal. The allegorical group at the top, made by French sculptor Célestin Anatole Calmels, represents Glory rewarding Valor and Genius.

Originally designed as a bell tower, the building was ultimately transformed into an elaborate arch after more than a century.

Because of the top cornice's great height, the figures above it had to be made colossal. The female allegory of Glory stands on a three-step throne and holds two crowns. Valor is personified by an amazon, partially covered with chlamys and wearing a high-crested helmet with dragon patterns, which were the symbols of the House of Braganza. her left hand holds the parazonium, with a trophy of flags behind. The Genius encompasses a statue of Jupiter behind his left arm. At his left side are the attributes of writing and arts.

The four statues over the columns, made by Victor Bastos, represent Nuno Alvares Pereira and Sebastião José de Carvalho e Melo, Marquis of Pombal on the right, and Vasco da Gama and Viriatus on the left. The two recumbent figures represent the rivers Tagus and Douro.

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Address

Rua Augusta 1, Lisbon, Portugal
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Details

Founded: 1755
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More Information

en.wikipedia.org

Rating

4.6/5 (based on Google user reviews)

User Reviews

Joshua Kaminski (9 months ago)
I love the archway. One of my favorite places in Lisbon. People gather for performances here too. Beautiful architecture. Good place to walk and romantic as well.
Mike R (10 months ago)
This is a very impressive monument. Good place to stop and linger for a bit. Note the tiling on the square. As with most places in Lisbon, it is very cool. Skip going to the top. Not worth the wait.
Dmitrij Santarovic (11 months ago)
Really great arch! It cost not a lot to get up the arch, but a view that opens there is stunning! Whole old town and a castle can be seen from here! Really qorth paying this little money! Moreover, the mechanism of a clock is put to display, so any one interested of clock mechanisms may be interested. A place worth visiting!
Samantha Symonds (11 months ago)
This arc is much bigger than you would initially think, but walking up to this monument is very overpowering at first. It is a great place for pictures and it has gorgeous artistic details. You can go to the top of the monument but views just from the base are good enough (and they are free from the ground). It has great angles from either side, one faces the city and the other faces the ocean. Take some time to walk around that plaza as well, great places to sit and people watch while you bask in the beauty of this architectural dream.
Claire Lemiski (13 months ago)
If you have time, it's worth the 3€ to go up to the top of this monument. Great views of the square and street below, as well as a panorama of the city. You take an elevator first, then climb two sets of narrow stairs. Use the light system to know when it is safe to ascend or descend.
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Wawel Castle

Wawel Hill – a Jurassic limestone rock, a dominant feature in the landscape of Kraków, have provided a safe haven for people who have settled here since the Paleolithic Age. It is supposed that the Slav people started living on Wawel hill as early as the 7th century. Early medieval legends tell stories about a dreadful dragon that lived in a cave on Wawel Hill, about his slayer Krakus, and about the latter’s daughter Wanda, who drowned herself in the Vistula rather than marry a German knight. Towards the end of the first millennium A.D Wawel began to play the role of the centre of political power.In the 9th century it became the principal fortified castrum of the Vislane tribe. The first historical ruler of Poland, Miesco I (c.965-992) of the Piast dynasty as well as his successors: Boleslas the Brave (992-1025) and Miesco II (1025-1034) chose Wawel Hill as one of their residences.

At that time Wawel became one of the main Polish centres of Christianity. The first early Romanesque and Romanesque sacral buildings were raised here, including a stone cathedral that was erected after the bishopric of Kraków was established in the year 1000.

During the reign of Casimir the Restorer (1034-1058) Wawel became a significant political and administrative centre for the Polish State. Casimir’s son, Boleslas the Bold (1058-1079) began the construction of a second Romanesque cathedral, which was finished by Boleslas the Wrymouth (1102-1138). In his last will of 1138, this prince divided Poland into districts, and provided that Kraków was to be the residence of the senior prince. In 1291 the city of Kraków along with Wawel Hill temporarily fell under the Czech rule, and Wenceslas II from the Premysl dynasty was crowned King of Poland in Wawel cathedral.

In 1306 the Duke of Kuyavia Ladislas the Short (1306-1333) entered Wawel and was crowned King of Poland in the Cathedral in 1320. It was the first historically recorded coronation of a Polish ruler on Wawel Hill. Around that time, at the initiative of Ladislas the Short, the construction of the third Gothic cathedral began, the castle was expanded and the old wooden and earthen fortifications were replaced by brick ones. The tomb of Ladislas the Short in the cathedral started a royal necropolis of Polish kings in Krakow.The last descendant of the Piast dynasty, Casimir the Great (1333-1370) brought Wawel to a state of unprecedented splendour. In 1364 the expanded gothic castle witnessed the marriage of Casimir’s granddaughter Elizabeth to Charles IV accompanied by a famous convention of kings and princes, subsequently entertained by a rich burgher Wierzynek. The accession to the throne in 1385 of Jadwiga from the Hungarian dynasty of Andegavens, and her marriage to a Lithuanian prince Ladislas Jagiello (1386-1434) started another era of prosperity for Wawel. The royal court employed local and western European artists and also Rus painters. During the reign of Casimir Jagiellon (1447-1492) the silhouette of the hill was enriched by three high brick towers: the Thieves’ Tower, the Sandomierz Tower and the Senatorial Tower. The first humanists in Poland and tutors to the king’s sons: historian Jan Długosz and an Italian by the name Filippo Buonacorsi (also known as Callimachus) worked there at that time.

The Italian Renaissance arrived at Wawel in the early 16th century. King Alexander (1501-1506) and his brother Sigismund I the Old (1506-1548) commissioned the construction of a new palace in place of the Gothic residence, with an impressive large courtyard with arcaded galleries which was completed about 1540. Sigismund’s patronage also left an indelible impression in the cathedral, where a family chapel was erected, known today as Sigismund’s Chapel - the work of Bartolomeo of Berrecci Florence, and through various foundations, one of which was that of a large bell, called the Sigismund to commemorate the king. Close artistic and cultural relations with Italy were strengthened in 1518 by the king’s marriage to Bona Sforza. Alongside Italian artists, German architects, wood workers, painters and metal smiths worked for the king. The last descendant of the Jagiellonian dynasty, Sigismund II Augustus (1548-1572), enriched the castle’s interiors with a magnificent collection of tapestries woven in Brussels. In the “Golden Age” of Polish culture Wawel became one of the main centres of humanism in Europe.

The reign of Sigismund III Waza (1587-1632) also made a strong impression on the history of Wawel. After a fire in the castle in 1595 the king rebuilt the burned wing of the building in the early Baroque style. The relocation of the royal court to Warsaw was the cause of a slow but nevertheless steady deterioration in the castle’s condition. The monarchs visited Kraków only occasionally. Restoration of the castle was undertaken during the reign of John III Sobieski, the Wettins and Stanislas Augustus to counteract neglect.

After Poland had lost its independence in 1795, the troops of partitioning nations, Russia, Prussia and Austria, subsequently occupied Wawel which finally passed into the hands of the Austrians. The new owners converted the castle and some of the secular buildings into a military hospital, and demolished some others, including churches. After the period of the Free City of Kraków (1815-1846) Wawel was once more annexed by Austria and turned into a citadel dominating the city. By the resolution passed by the Seym of Galicia in 1880, the castle was presented as a residence to the Emperor of Austria Franz Josef I. The Austrian troops left the hill between 1905-1911. At the turn of the 20th century a thorough restoration of the cathedral was conducted, and shortly afterwards a process of restoration of the royal castle began which lasted several decades.

When Poland regained its independence in 1918, the castle served as an official residence of the Head of State, and as a museum of historic interiors. During the Nazi occupation the castle was the residence of the German governor general, Hans Frank. Polish people managed to remove the most valuable objects, including the tapestries and the “Szczerbiec” coronation sword to Canada, from where they returned as late as 1959-1961. At present, the main curators of Wawel are Wawel Royal Castle – State Art Collection and the Metropolitan Basilica Board on Wawel Hill.