The Convent of Our Lady of Mount Carmel medieval convent was ruined during the sequence of the 1755 Lisbon earthquake. The destroyed Gothic Church of Our Lady of Mount Carmel on the southern facade of the convent is the main trace of the great earthquake still visible in the old city.
The convent was founded in 1389 by the Constable D. Nuno Álvares Pereira (supreme military commander of the King), from the small Carmelite convent situated on lands acquired from his sister Beatriz Pereira and the admiral Pessanha. The reconstruction of the convent began sometime in 1393.
In 1407 the presbytery and apses of the convent church was concluded, resulting in the first liturgical acts in that year. By 1423 the residential cells were completed, allowing the Carmelites from Moura (southern Portugal) to inhabit the building, including Father Nuno de Santa Maria, the Constable D. Nuno Àlvares Pereira who donated his wealth to the convent and entered the convent.
In 1755, an earthquake off the coast of Portugal caused significant damage to the convent and the destruction of the library. The 126 clerics at the time were forced to abandon the building.
Minor repairs to the convent were carried out in 1800; roof tiles were repaired at this time to protect the sames from weather. Between 1911 and 1912, the walls around the Carmo Convent were reconstructed, with various arches built, under the authorship of architect Leonel Gaia.
Today the nave and apse of the Carmo Church are the setting for a small archaeological museum, with pieces from all periods of Portuguese history. The nave has a series of tombs, fountains, windows and other architectural relics from different places and styles.
The old apse chapels are also used as exhibition rooms. One of them houses notable pre-historical objects excavated from a fortification near Azambuja (3500–1500 BC).
The group of Gothic tombs include that of Fernão Sanches, a bastard son of King Dinis I, (early 14th century), decorated with scenes of boar hunting, as well as the magnificent tomb of King Ferdinand I (reign 1367-1383), transferred to the museum from the Franciscan Convent of Santarém. Other notable exhibits include a statue of a 12th-century king (perhaps Afonso Henriques), Spanish-Moorish azulejos and objects from the Roman and Visigoth periods.References:
The original Cochem Castle, perched prominently on a hill above the Moselle River, served to collect tolls from passing ships. Modern research dates its origins to around 1100. Before its destruction by the French in 1689, the castle had a long and fascinating history. It changed hands numerous times and, like most castles, also changed its form over the centuries.
In 1151 King Konrad III ended a dispute over who should inherit Cochem Castle by laying siege to it and taking possession of it himself. That same year it became an official Imperial Castle (Reichsburg) subject to imperial authority. In 1282 it was Habsburg King Rudolf’s turn, when he conquered the Reichsburg Cochem and took it over. But just 12 years later, in 1294, the newest owner, King Adolf of Nassau pawned the castle, the town of Cochem and the surrounding region in order to finance his coronation. Adolf’s successor, Albrecht I, was unable to redeem the pledge and was forced to grant the castle to the archbishop in nearby Trier and the Electorate of Trier, which then administered the Reichsburg continuously, except for a brief interruption when Trier’s Archbishop Balduin of Luxembourg had to pawn the castle to a countess. But he got it back a year later.
The Electorate of Trier and its nobility became wealthy and powerful in large part due to the income from Cochem Castle and the rights to shipping tolls on the Moselle. Not until 1419 did the castle and its tolls come under the administration of civil bailiffs (Amtsmänner). While under the control of the bishops and electors in Trier from the 14th to the 16th century, the castle was expanded several times.
In 1688 the French invaded the Rhine and Moselle regions of the Palatinate, which included Cochem and its castle. French troops conquered the Reichsburg and then laid waste not only to the castle but also to Cochem and most of the other surrounding towns in a scorched-earth campaign. Between that time and the Congress of Vienna, the Palatinate and Cochem went back and forth between France and Prussia. In 1815 the western Palatinate and Cochem finally became part of Prussia once and for all.
Louis Jacques Ravené (1823-1879) did not live to see the completion of his renovated castle, but it was completed by his son Louis Auguste Ravené (1866-1944). Louis Auguste was only two years old when construction work at the old ruins above Cochem began in 1868, but most of the new castle took shape from 1874 to 1877, based on designs by Berlin architects. After the death of his father in 1879, Louis Auguste supervised the final stages of construction, mostly involving work on the castle’s interior. The castle was finally completed in 1890. Louis Auguste, like his father, a lover of art, filled the castle with an extensive art collection, most of which was lost during the Second World War.
In 1942, during the Nazi years, Ravené was forced to sell the family castle to the Prussian Ministry of Justice, which turned it into a law school run by the Nazi government. Following the end of the war, the castle became the property of the new state of Rheinland-Pfalz (Rhineland-Palatinate). In 1978 the city of Cochem bought the castle for 664,000 marks.