The Convent of Our Lady of Mount Carmel medieval convent was ruined during the sequence of the 1755 Lisbon earthquake. The destroyed Gothic Church of Our Lady of Mount Carmel on the southern facade of the convent is the main trace of the great earthquake still visible in the old city.
The convent was founded in 1389 by the Constable D. Nuno Álvares Pereira (supreme military commander of the King), from the small Carmelite convent situated on lands acquired from his sister Beatriz Pereira and the admiral Pessanha. The reconstruction of the convent began sometime in 1393.
In 1407 the presbytery and apses of the convent church was concluded, resulting in the first liturgical acts in that year. By 1423 the residential cells were completed, allowing the Carmelites from Moura (southern Portugal) to inhabit the building, including Father Nuno de Santa Maria, the Constable D. Nuno Àlvares Pereira who donated his wealth to the convent and entered the convent.
In 1755, an earthquake off the coast of Portugal caused significant damage to the convent and the destruction of the library. The 126 clerics at the time were forced to abandon the building.
Minor repairs to the convent were carried out in 1800; roof tiles were repaired at this time to protect the sames from weather. Between 1911 and 1912, the walls around the Carmo Convent were reconstructed, with various arches built, under the authorship of architect Leonel Gaia.
Today the nave and apse of the Carmo Church are the setting for a small archaeological museum, with pieces from all periods of Portuguese history. The nave has a series of tombs, fountains, windows and other architectural relics from different places and styles.
The old apse chapels are also used as exhibition rooms. One of them houses notable pre-historical objects excavated from a fortification near Azambuja (3500–1500 BC).
The group of Gothic tombs include that of Fernão Sanches, a bastard son of King Dinis I, (early 14th century), decorated with scenes of boar hunting, as well as the magnificent tomb of King Ferdinand I (reign 1367-1383), transferred to the museum from the Franciscan Convent of Santarém. Other notable exhibits include a statue of a 12th-century king (perhaps Afonso Henriques), Spanish-Moorish azulejos and objects from the Roman and Visigoth periods.References:
The Kalozha church of Saints Boris and Gleb is the oldest extant structure in Hrodna. It is the only surviving monument of ancient Black Ruthenian architecture, distinguished from other Orthodox churches by prolific use of polychrome faceted stones of blue, green or red tint which could be arranged to form crosses or other figures on the wall.
The church is a cross-domed building supported by six circular pillars. The outside is articulated with projecting pilasters, which have rounded corners, as does the building itself. The ante-nave contains the choir loft, accessed by a narrow gradatory in the western wall. Two other stairs were discovered in the walls of the side apses; their purpose is not clear. The floor is lined with ceramic tiles forming decorative patterns. The interior was lined with innumerable built-in pitchers, which usually serve in Eastern Orthodox churches as resonators but in this case were scored to produce decorative effects. For this reason, the central nave has never been painted.
The church was built before 1183 and survived intact, depicted in the 1840s by Michał Kulesza, until 1853, when the south wall collapsed, due to its perilous location on the high bank of the Neman. During restoration works, some fragments of 12th-century frescoes were discovered in the apses. Remains of four other churches in the same style, decorated with pitchers and coloured stones instead of frescoes, were discovered in Hrodna and Vaŭkavysk. They all date back to the turn of the 13th century, as do remains of the first stone palace in the Old Hrodna Castle.
In 2004, the church was included in the Tentative List of UNESCO"s World Heritage Sites.