The Convent of Our Lady of Mount Carmel medieval convent was ruined during the sequence of the 1755 Lisbon earthquake. The destroyed Gothic Church of Our Lady of Mount Carmel on the southern facade of the convent is the main trace of the great earthquake still visible in the old city.
The convent was founded in 1389 by the Constable D. Nuno Álvares Pereira (supreme military commander of the King), from the small Carmelite convent situated on lands acquired from his sister Beatriz Pereira and the admiral Pessanha. The reconstruction of the convent began sometime in 1393.
In 1407 the presbytery and apses of the convent church was concluded, resulting in the first liturgical acts in that year. By 1423 the residential cells were completed, allowing the Carmelites from Moura (southern Portugal) to inhabit the building, including Father Nuno de Santa Maria, the Constable D. Nuno Àlvares Pereira who donated his wealth to the convent and entered the convent.
In 1755, an earthquake off the coast of Portugal caused significant damage to the convent and the destruction of the library. The 126 clerics at the time were forced to abandon the building.
Minor repairs to the convent were carried out in 1800; roof tiles were repaired at this time to protect the sames from weather. Between 1911 and 1912, the walls around the Carmo Convent were reconstructed, with various arches built, under the authorship of architect Leonel Gaia.
Today the nave and apse of the Carmo Church are the setting for a small archaeological museum, with pieces from all periods of Portuguese history. The nave has a series of tombs, fountains, windows and other architectural relics from different places and styles.
The old apse chapels are also used as exhibition rooms. One of them houses notable pre-historical objects excavated from a fortification near Azambuja (3500–1500 BC).
The group of Gothic tombs include that of Fernão Sanches, a bastard son of King Dinis I, (early 14th century), decorated with scenes of boar hunting, as well as the magnificent tomb of King Ferdinand I (reign 1367-1383), transferred to the museum from the Franciscan Convent of Santarém. Other notable exhibits include a statue of a 12th-century king (perhaps Afonso Henriques), Spanish-Moorish azulejos and objects from the Roman and Visigoth periods.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.