The Jerónimos Monastery or Hieronymites Monastery is one of the most prominent examples of the Portuguese Late Gothic Manueline style of architecture in Lisbon. It was classified a UNESCO World Heritage Site, along with the nearby Tower of Belém, in 1983.
The Jeronimos Monastery is the most impressive symbol of Portugal's power and wealth during the Age of Discovery. King Manuel I built it in 1502 on the site of a hermitage founded by Prince Henry the Navigator, where Vasco da Gama and his crew spent their last night in Portugal in prayer before leaving for India. It was built to commemorate Vasco Da Gama's voyage and to give thanks to the Virgin Mary for its success. Vasco da Gama's tomb was placed inside by the entrance, as was the tomb of poet Luis de Camões, author of the epic The Lusiads in which he glorifies the triumphs of Da Gama and his compatriots. Other great figures in Portuguese history are also entombed here, like King Manuel and King Sebastião, and poets Fernando Pessoa and Alexandre Herculano.
Jeronimos Monastery Cloisters The monastery was populated by monks of the Order of Saint Jerome, whose spiritual job was to give guidance to sailors and pray for the king's soul. It is one of the great triumphs of European Gothic, with much of the design characterized by elaborate sculptural details and maritime motifs. This style of architecture became known as Manueline, a style of art that served to glorify the great discoveries of the age.
The cloisters are magnificent, each column differently carved with coils of rope, sea monsters, coral, and other sea motifs evocative of that time of world exploration at sea. Here is also the entrance to the former refectory that has beautiful reticulated vaulting and tile decoration on the walls depicting the Biblical story of Joseph.
The church interior is spacious with octagonal piers richly decorated with reliefs, and outside is a garden laid out in 1940 consisting of hedges cut in the shape of various municipal coats of arms of Portugal. In the center is a large fountain also decorated with coats of arms, often illuminated on special occasions.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.