Santa Justa Lift

Lisbon, Portugal

The Santa Justa Lift is an elevator, or lift, in the civil parish of Santa Justa, in the historical city of Lisbon. Situated at the end of Rua de Santa Justa, it connects the lower streets of the Baixa with the higher Largo do Carmo (Carmo Square).

Since its construction, the Lift has become a tourist attraction for Lisbon as, among the urban lifts in the city, Santa Justa is the only remaining vertical (conventional) one. Others, including Elevador da Glória and Elevador da Bica, are actually funicular railways, and the other lift constructed around the same time, the Elevator of São Julião, has since been demolished.

The hills of Lisbon have always presented a problem for travel between the lower streets of the main Baixa and the higher Largo do Carmo. In order to facilitate the movement between the two, the civil and military engineer Roberto Arménio presented a project to the Lisbon municipal council in 1874.

In 1900, the formal contract was signed on which the working group was obligated to present a project for an elevator in a period of six months. On 31 August 1901, King Carlos inaugurates the metal bridge and awning. Yet, its operation would wait until 1902. Originally powered by steam, it was converted to electrical operation in 1907. After remodelling and renovation, on February 2006, the Elevator walkway was reopened for the general public and tourists.

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Details

Founded: 1902
Category: Industrial sites in Portugal

Rating

4.1/5 (based on Google user reviews)

User Reviews

藍海婷Hai Ting (9 months ago)
Its it one if the must do when you are in Lisbon. It's very easily accessed as it's bang in the middle of the main shopping street. It connects the lower level to the upper tier ( visit the church on the upper floor) if you are like us and didn't buy any tourist pass which includes this ...then you must get yourself herself a metro day pass (~€6 of you are planning on going about Lisbon ..take the tram and enjoy the view) as this pass includes the lift- buying tickets just for the lift is ~€5 so definitely worth buying the pass. Watch out for queues as there was A very long wait when I was there..it opens late so I would recommend coming back when it's slightly less busy
Maha El Nasser (9 months ago)
Loved this structure despite being fairly afeared of heights. Just about made it up the windy staircase to the top. Don't look down! Beautiful metal work. Also it's included on the 24 public transport pass, so definitely worth the €6.40 if you're planning on taking a bus at any point in the day as well.
nick cef (10 months ago)
Not sure I would bother waiting in line for a half hour or more, but the views are worthwhile. Architecturally unique. Be advised that once you exit the elevator at the top, you still need to go up a good number of steps to get to the lookout. Also, if you have a Via Viagem public transport card/pass, you can use it to ride the elevator. There is another small fee to access the rooftop lookout, though.
Eetu Pesonen (10 months ago)
Nice lift that gets you to an awesome view. Visited during evening and captured beautifully lighted Lisbon central. Lift ride itself takes maybe 35 seconds and it requires some walking through narrow stairs to get top of the lift for the views.
Michael Ewart (10 months ago)
Definitely worth a visit for the incredible view at the top. Pro tip: the ride up is included in your all-day public transportation pass. But you do need to pay an additional 1.50 euro to go up to the observation deck. Well worth it!
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Wawel Hill – a Jurassic limestone rock, a dominant feature in the landscape of Kraków, have provided a safe haven for people who have settled here since the Paleolithic Age. It is supposed that the Slav people started living on Wawel hill as early as the 7th century. Early medieval legends tell stories about a dreadful dragon that lived in a cave on Wawel Hill, about his slayer Krakus, and about the latter’s daughter Wanda, who drowned herself in the Vistula rather than marry a German knight. Towards the end of the first millennium A.D Wawel began to play the role of the centre of political power.In the 9th century it became the principal fortified castrum of the Vislane tribe. The first historical ruler of Poland, Miesco I (c.965-992) of the Piast dynasty as well as his successors: Boleslas the Brave (992-1025) and Miesco II (1025-1034) chose Wawel Hill as one of their residences.

At that time Wawel became one of the main Polish centres of Christianity. The first early Romanesque and Romanesque sacral buildings were raised here, including a stone cathedral that was erected after the bishopric of Kraków was established in the year 1000.

During the reign of Casimir the Restorer (1034-1058) Wawel became a significant political and administrative centre for the Polish State. Casimir’s son, Boleslas the Bold (1058-1079) began the construction of a second Romanesque cathedral, which was finished by Boleslas the Wrymouth (1102-1138). In his last will of 1138, this prince divided Poland into districts, and provided that Kraków was to be the residence of the senior prince. In 1291 the city of Kraków along with Wawel Hill temporarily fell under the Czech rule, and Wenceslas II from the Premysl dynasty was crowned King of Poland in Wawel cathedral.

In 1306 the Duke of Kuyavia Ladislas the Short (1306-1333) entered Wawel and was crowned King of Poland in the Cathedral in 1320. It was the first historically recorded coronation of a Polish ruler on Wawel Hill. Around that time, at the initiative of Ladislas the Short, the construction of the third Gothic cathedral began, the castle was expanded and the old wooden and earthen fortifications were replaced by brick ones. The tomb of Ladislas the Short in the cathedral started a royal necropolis of Polish kings in Krakow.The last descendant of the Piast dynasty, Casimir the Great (1333-1370) brought Wawel to a state of unprecedented splendour. In 1364 the expanded gothic castle witnessed the marriage of Casimir’s granddaughter Elizabeth to Charles IV accompanied by a famous convention of kings and princes, subsequently entertained by a rich burgher Wierzynek. The accession to the throne in 1385 of Jadwiga from the Hungarian dynasty of Andegavens, and her marriage to a Lithuanian prince Ladislas Jagiello (1386-1434) started another era of prosperity for Wawel. The royal court employed local and western European artists and also Rus painters. During the reign of Casimir Jagiellon (1447-1492) the silhouette of the hill was enriched by three high brick towers: the Thieves’ Tower, the Sandomierz Tower and the Senatorial Tower. The first humanists in Poland and tutors to the king’s sons: historian Jan Długosz and an Italian by the name Filippo Buonacorsi (also known as Callimachus) worked there at that time.

The Italian Renaissance arrived at Wawel in the early 16th century. King Alexander (1501-1506) and his brother Sigismund I the Old (1506-1548) commissioned the construction of a new palace in place of the Gothic residence, with an impressive large courtyard with arcaded galleries which was completed about 1540. Sigismund’s patronage also left an indelible impression in the cathedral, where a family chapel was erected, known today as Sigismund’s Chapel - the work of Bartolomeo of Berrecci Florence, and through various foundations, one of which was that of a large bell, called the Sigismund to commemorate the king. Close artistic and cultural relations with Italy were strengthened in 1518 by the king’s marriage to Bona Sforza. Alongside Italian artists, German architects, wood workers, painters and metal smiths worked for the king. The last descendant of the Jagiellonian dynasty, Sigismund II Augustus (1548-1572), enriched the castle’s interiors with a magnificent collection of tapestries woven in Brussels. In the “Golden Age” of Polish culture Wawel became one of the main centres of humanism in Europe.

The reign of Sigismund III Waza (1587-1632) also made a strong impression on the history of Wawel. After a fire in the castle in 1595 the king rebuilt the burned wing of the building in the early Baroque style. The relocation of the royal court to Warsaw was the cause of a slow but nevertheless steady deterioration in the castle’s condition. The monarchs visited Kraków only occasionally. Restoration of the castle was undertaken during the reign of John III Sobieski, the Wettins and Stanislas Augustus to counteract neglect.

After Poland had lost its independence in 1795, the troops of partitioning nations, Russia, Prussia and Austria, subsequently occupied Wawel which finally passed into the hands of the Austrians. The new owners converted the castle and some of the secular buildings into a military hospital, and demolished some others, including churches. After the period of the Free City of Kraków (1815-1846) Wawel was once more annexed by Austria and turned into a citadel dominating the city. By the resolution passed by the Seym of Galicia in 1880, the castle was presented as a residence to the Emperor of Austria Franz Josef I. The Austrian troops left the hill between 1905-1911. At the turn of the 20th century a thorough restoration of the cathedral was conducted, and shortly afterwards a process of restoration of the royal castle began which lasted several decades.

When Poland regained its independence in 1918, the castle served as an official residence of the Head of State, and as a museum of historic interiors. During the Nazi occupation the castle was the residence of the German governor general, Hans Frank. Polish people managed to remove the most valuable objects, including the tapestries and the “Szczerbiec” coronation sword to Canada, from where they returned as late as 1959-1961. At present, the main curators of Wawel are Wawel Royal Castle – State Art Collection and the Metropolitan Basilica Board on Wawel Hill.