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Mount Vernon was the plantation house of George Washington, first President of the United States and his wife, Martha Dandridge Custis Washington. The Washington family had owned land in the area since the time of Washington's great-grandfather in 1674. In 1739 they embarked on an expansion of the estate that continued under George Washington, who came into possession of the estate in 1754, but did not become its sole owner until 1761.
The mansion is built of wood in a loose Palladian style, and was constructed by George Washington in stages between 1758 and 1778. It occupies the site of an earlier, smaller house built by George Washington's father Augustine, some time between 1726 and 1735. It remained Washington's country home for the rest of his life. Following his death in 1799, under the ownership of several successive generations of the family, the estate progressively declined as revenues were insufficient to maintain it adequately. In 1858, the house's historical importance was recognized and it was saved from ruin by The Mount Vernon Ladies' Association; this philanthropic organization acquired it together with part of the Washington property estate. Escaping the damage suffered by many plantation houses during the American Civil War, Mount Vernon was restored.
Mount Vernon was designated a National Historic Landmark in 1960 and is today listed on the National Register of Historic Places. It is still owned and maintained in trust by The Mount Vernon Ladies' Association, and is open every day of the year. Allowing the public to see the estate is not an innovation, but part of a 200-year-old tradition started by George Washington himself.
The present house was built in phases from 1758, by an unknown architect, on the site of the Washingtons' former farmhouse. This staggered and unplanned evolution is indicated by the off-center main door, which would once have been central to an earlier façade. As completed and seen today, the house is in a loose Palladian style. The principal block, dating from 1758, is a two-storied corps de logis flanked by two single-story secondary wings, built in 1775. These secondary wings, which house the servants hall on the northern side and the kitchen on the southern side, are connected to the corps de logis by symmetrical, quadrant colonnades, built in 1778. The completion of the colonnades cemented the classical Palladian arrangement of the complex and formed a distinct cour d'honneur, known at Mount Vernon as Mansion Circle, giving the house its imposing perspective.
The rooms at Mount Vernon have mostly been restored to their appearance at the time of George and Martha Washington's occupancy. These rooms include Washington's study, two dining rooms (the larger known as the New Room), the West Parlour, the Front Parlour, the kitchen and some bedrooms.
George Washington's remains are, along with those of his wife, Martha, buried to the new tomb presented by John Struthers of Philadelphia in Mount Vernon. Other members of the Washington family are interred in an inner vault, behind the vestibule containing the sarcophagi of George and Martha Washington.
References:Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.