The Smithsonian American Art Museum has one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. The museum has more than 7,000 artists represented in the collection, which contains the largest collection of New Deal art; a collection of contemporary craft, American impressionist paintings, and masterpieces from the Gilded Age; photography, modern folk art, works by African American and Latino artists, images of western expansion, and realist art from the first half of the twentieth century. Most exhibitions take place in the museum's main building, the old Patent Office Building (shared with the National Portrait Gallery), while craft-focused exhibitions are shown in the museum's Renwick Gallery.
The main building, the Old Patent Office Building, is a National Historic Landmark and is considered an example of Greek Revival architecture in the United States. It was designed by architects Robert Mills and Thomas U. Walter.
Part of the Smithsonian Institution, the museum has a broad variety of American art, with more than 7,000 artists represented, that covers all regions and art movements found in the United States. Among the significant artists represented in its collection are Nam June Paik, Jenny Holzer, David Hockney, Georgia O'Keeffe, John Singer Sargent, Albert Pinkham Ryder, Albert Bierstadt, Edmonia Lewis, Thomas Moran, James Gill, Edward Hopper, John William 'Uncle Jack' Dey, Karen LaMonte and Winslow Homer.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.