Oudenaarde Town Hall was built by architect Hendrik van Pede in 1526–1537 to replace the medieval Schepenhuis (Aldermen's House) that occupied the same site. Another older structure, the 14th-century Cloth Hall, was retained and now forms a sort of extension at the back of the Town Hall proper.
The Oudenaarde Town Hall was a late flowering of secular Brabantine Gothic architecture, carrying on the stylistic tradition of the town halls at Leuven, Brussels, and Middelburg. Above the ground-story arcade with vaulted ceiling, the building displays typical features of its regional forerunners: a richly decorated facade with pointed-arch windows separated by canopied niches, and a steep, dormered roof surrounded by an openwork parapet. The niches, although designed to contain statues, stand empty.
Atop the central belfry tower of six stories with three terraces, a stone crown supports a gilded brass figure of Hanske de Krijger, mythical guardian of the city. The crown on the tower and the double-headed eagles over the attic windows pay homage to a famous visitor to Oudenaarde, Emperor Charles V, who fathered Margaret of Parma here a few years before construction of the Town Hall began.
The Town Hall initially combined functions of government and commerce, with rooms on the ground floor reserved for traders: the Corn House, Weighhouse and Lower Cloth Hall. Today, this floor accommodates the town's tourism office.
On the second floor, an elaborate portal crafted by Pauwel van der Schelden opens into the Schepenzaal, where the aldermen of Oudenaarde convened. The People's Hall takes up the front of the same floor, alongside the terrace overlooking the market square. This was the main room for receptions, banquets and entertainment.
The Town Hall boasts a collection of relics from Oudenaarde's past. The tapestries hanging in the Lower Cloth Hall and the adjacent Cloth Hall building represent an art form that brought the city fame between about the 15th–18th centuries. Another specialty of Oudenaarde during that time was the silversmith's trade, whose wares are displayed in the Silver Room on the third floor. The third floor also houses the Municipal Museum with various local art and artifacts.
The Town Hall and its Belfry were designated by UNESCO as a World Heritage Site in 1999.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.