St. John's Church

Valga, Estonia

The St. John’s (Jaani) church in Valga is one of the most beautiful churches in Estonia. The construction started in 1787, but it was not completed until 1816. The church represents Baroque and Classicism styles. It was built according to the design of architect Christoph Haberland and it is the only church in Estonia with an oval ground plan. The unique organ has been preserved in its original shape and it is the only instrument built by Friedrich Ladegast still left in Estonia.

Reference: Visit Estonia

Comments

Your name

Website (optional)



Address

Kesk tn, Valga, Estonia
See all sites in Valga

Details

Founded: 1787-1816
Category: Religious sites in Estonia
Historical period: Part of the Russian Empire (Estonia)

More Information

www.visitestonia.com

Rating

4.7/5 (based on Google user reviews)

User Reviews

Rudo Lilleleht (7 months ago)
Ainus ovaalse põhiplaani ja Ladegasti oreliga pühakoda mitmesaja km ulatuses
George On tour (8 months ago)
The church was built in the years 1787 - 1816 , the cornerstone was laid on 31 May 1787 . The stone church was designed by Riga architect Christoph Haberland . Before that, only the wooden churches in Valga were destined to wreak havoc in wars and fires . The church was built on a former cemetery, later on the marketplace; To this day, the center of Valga has become the place. The church was built from donations. Within two years, the church became under the roof, but due to lack of money, the construction was completed until 1816 when the bell tower of the church was ready. Emperor Alexander I donated 5,000 rubles, then the church was ready and holy on September 3, 1816 . 2016 The 200th birthday of the Valga Jan Church was celebrated in the year
Rudo Lilleleht (11 months ago)
Uus õpetaja, uus hingamine
Kalev Härk (12 months ago)
Unikaalse ehitusstiili ja Ladegasti oreliga kirik, mille tornist näeb Valgat ja Valkat (Läti Vabariik)
Tanel Aavistu (4 years ago)
We went to Christmas ceremony with our class here. It was cold but it was still fun.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.