Belœil château has been the residence of the Prince de Ligne since the 14th century. The château lies in the middle of a magnificent Baroque garden designed in 1664. The château and gardens can be visited during spring and summer.
Belœil became possession of the Ligne family in 1394. At the beginning of the 15th century the local castle was chosen as the principal residence of the family. The old castle was a fortified rectangular building with a moat surrounding it and had four round towers, one at each angle. This basic structure is still preserved, although the facades and interiors were greatly altered during the following centuries.
From 1664 onward the park, with its straight alleys, geometrical ponds and imposing perspectives was created. The typical bosquets - garden chambers enclosed by high hedges - were preserved in spite of the changing fashion in the 18th and 19th centuries when English landscape gardens were preferred. A small landscape garden with a 'ruin' was installed in the direct vicinity of the château by Charles Joseph, Prince de Ligne.
The fortified castle was adapted into a luxurious country house following the French example. The interiors were appointed with fine furniture and the art collections of the family. During the New Year's celebrations of 1900, disaster struck the castle when it burned down completely. Most of the furnishings, including the library of 20,000 rare volumes and the art collection, were saved. The castle was rebuilt in the following years by the French architect Ernest Sanson, while the interiors were redecorated using pieces from the Ligne collection.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.