Cambron Abbey is a former Cistercian abbey, today site is now used as a zoo. Twelve monks from Clairvaux arrived at Cambron on August 1, 1148. They were sent by St. Bernard, abbot of Clairvaux. Shortly after its foundation, the abbey grew substantially. It became one of the wealthiest monasteries of Hainault and variously founded, or was given the supervision of, several daughter houses.
By the end of the 14th century, there were more than 70 monks at Cambron. The monks increasingly recruited the aid of lay-brothers to tend the fields. The contribution of agricultural techniques to the local peasantry substantially improved both the status of the rural class and the local economy. After facing difficulties in the 15th century, the abbey contributed greatly in the 16th century to the renaissance in the arts and in theology.
By the 17th century, the abbey had become rich from years of gifts, legacies, and productive agriculture. The abbey enjoyed great renown, but strict adherence to monastic life had begun to loosen. At the end of the 17th century, the wars of King Louis XIV devastated the province of Hainaut and set off the abbey's first period of decline.
At the beginning of the 18th century, a period of peace allowed for new prosperity, and a spate of construction and renovation. The majority of structures still visible at the site today date from this period. The entrance gate of the abbey was given a statuary niche that held an image of the Virgin Mary. The abbey's tower, built under the direction of the architect Jean-François Wincqz, was constructed in a pure Neoclassical style. The carriage house, with five stalls and a dovecote in the center, is unique. The monumental staircase evokes the garden of a palace more than a monastery.
The abbey was still prosperous in 1782, at which time it had 58 monks. But in 1783, Holy Roman Emperor Joseph II ordered Cambron to be dissolved. The decision took effect in 1789 and the monks were expelled from the abbey and went into exile in the Netherlands. The subsequent French occupation would put an end to nine centuries of Cistercian life. Expelled by the Revolutionary government, the monks left the abbey in 1797. The abbey's assets were sold and the buildings torn down by the succeeding owners.
Of the abbey buildings there still remain the tower of the abbey church of 1774, a monumental staircase of 1776, the entire medieval precinct wall and a 13th-century cellar that was formerly beneath the now-vanished lay brothers' quarters, measuring 12 metres by 18 metres with twelve pointed vaults, the main abbey gateway of 1722 and the former abbey farm with an 18th-century coach house. Remains of the former abbey church are kept in Attre Castle.References:
Seville's cathedral, Santa Maria de la Sede, is the largest Gothic cathedral in the world, and is recognised as UNESCO World Heritage. After its completion in the early 16th century, Seville Cathedral supplanted Hagia Sophia as the largest cathedral in the world, a title the Byzantine church had held for nearly a thousand years.
The basilica occupies the site of the great Aljama mosque, built in the late 12th century by the Almohads, the ruling Moorish dynasty, of which the only remaining parts are the Patio de Naranjas, the Puerta del Perdon (on Calle Alemanes, on the north side), and the Giralda (formerly the minaret, now the belltower).
Shortly after Seville's conquest by Ferdinand III, the mosque was converted into the city's cathedral. Its orientation was changed and its spaces partitioned and adorned to suit Christian worship practices. The internal space was gradually divided into chapels by constructing walls in the bays along the northern and southern walls. Almost the entire eastern half of the cathedral was occupied by the royal chapel that would hold the bodies of Ferdinand, his wife and Alfonso the Wise.
In 1401, city leaders decided to build a new cathedral to replace the grand mosque that served as the cathedral until then. Construction continued until 1506. The clergy of the parish offered half their stipends to pay for architects, artists, stained glass artisans, masons, carvers, craftsman and labourers and other expenses. Five years after construction ended, in 1511, the crossing lantern, or cimborrio, collapsed and work on the cathedral recommenced. The crossing again collapsed in 1888 due an earthquake, and work on the dome continued until at least 1903.
The interior has the longest nave of any cathedral in Spain. The central nave rises to a height of 42 metres. In the main body of the cathedral, the most noticeable features are the great boxlike choir loft, which fills the central portion of the nave, and the vast Gothic retablo of carved scenes from the life of Christ. This altarpiece was the lifetime work of a single craftsman, Pierre Dancart.
The Capilla Mayor (Great Chapel), dominated by a vast Gothic retablo (altarpiece) comprised of 45 carved scenes from the life of Christ, as well as Santa Maria de la Sede, the cathedral's patron saint. The lifetime's work of a single craftsman, Pierre Dancart, this is the ultimate masterpiece of the cathedral - the largest and richest altarpiece in the world and one of the finest examples of Gothic woodcarving anywhere.
The Giralda is the bell tower of the Cathedral of Seville. Its height is 105 m. The Giralda is the former minaret of the mosque that stood on the site under Muslim rule, and was built to resemble the minaret of the Koutoubia Mosque in Marrakech, Morocco. It was converted into a bell tower for the cathedral after the Reconquista, although the topmost section dates from the Renaissance.
The tomb of Christopher Columbus is one of the main attractions of the cathedral for visitors, housing the remains of the great explorer who died in poverty in Valladolid. The tomb itself is more recent, from the 1892, with four bearers presenting the kingdoms of Castile, Leon, Aragon and Navarra.