The Château de Flaugergues is one of many follies erected by wealthy merchants surrounding the city. The castle preserves antique furniture and collection of Flemish tapestries.
The follies in the region were constructed by aristocrats serving the French king. In 1696, Etienne de Flaugergues, member of the Cour des Comptes, bought a piece of land and built which henceforth carried his name. It took him 45 years to give the existing house its current appearance. From then on, Flaugergues became an example for the various other follies constructed by wealthy merchants surrounding Montpellier.
In 1811, the Boussairolles family bought the estate, and Charles Joseph de Boussairoles designed the orangerie and the park in English garden style in 1850. Inherited by generations of nobles, it still gives an idea of the life of the French nobility in the 17th century.
It is not so much the building itself as the use that is made of the area surrounding it that makes Flaugergues interesting architecturally speaking. The architect is not known, but it is certain that there have been multiple people working on the estate between 1696 and 1730. Much use is made of the difference in terrain level, creating separate spaces within the garden and making the mansion look grander than it in fact is.
The façade is cut in half by a doorway with Doric pilasters, carrying an entablature with rose sculpted metopes. The different levels of the house are emphasized by bands, which was fashionable in the 17th century. The large windows give the first level an air of importance, while the back wall of the building is almost blind.
The most striking part of Flaugergues is the interior, with the staircase taking up almost one-third of it. Every floor is served by this staircase with its characteristic hanging key vaults and forged iron banisters.
Since Roman times, vines have been grown on this spot. A descendant of Jean-Baptiste Colbert now produces the Flaugergues wine.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.