The Maison Carrée is one of the best preserved Roman temple façades to be found in the territory of the former Roman Empire. In about 4-7 AD, the Maison carrée was dedicated or rededicated to Gaius Caesar and Lucius Caesar, grandsons and adopted heirs of Augustus who both died young. The building has undergone extensive restoration over the centuries.
The Maison Carrée is an example of Vitruvian architecture. Raised on a 2.85 m high podium, the temple dominated the forum of the Roman city, forming a rectangle almost twice as long as it is wide, measuring 26.42 m by 13.54 m. The façade is dominated by a deep portico almost a third of the building's length. It is a hexastyle design with six Corinthian columns under the pediment at either end, and pseudoperipteral in that twenty engaged columns are embedded along the walls of the cella. Above the columns, the architrave is divided by two recessed rows of petrified water drips into three levels. Egg-and-dart decoration divides the architrave from the frieze. On three sides the frieze is decorated with fine ornamental relief carvings of rosettes and acanthus leaves beneath a row of very fine dentils.
A large door (6.87 m high by 3.27 m wide) leads to the surprisingly small and windowless interior, where the shrine was originally housed. This is now used to house a tourist oriented film on the Roman history of Nîmes. No ancient decoration remains inside the cella.
Until the 19th century, it formed part of a larger complex of adjoining buildings. These were demolished when the Maison Carrée housed what is now the Musée des Beaux-Arts de Nîmes (from 1821 to 1907), restoring it to the isolation it would have enjoyed in Roman times. The pronaos was restored in the early part of the 19th century when a new ceiling was provided, designed in the Roman style. The present door was made in 1824.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.