The Musée Fabre was founded by François-Xavier Fabre, a Montpellier painter, in 1825. It is one of the main sights of Montpellier. The town of Montpellier was given thirty paintings in 1802 which formed the basis of a modest municipal museum under the Empire, moving between various temporary sites. In 1825, the town council accepted a large donation of works from Fabre and the museum was installed in the refurbished Hôtel de Massillian, officially opened on 3 December 1828. Fabre's generosity led others to follow his example, notably Antoine Valedau who donated his collection of Dutch and Flemish masters to the city. On the death of Fabre in 1837, a legacy of more than a hundred pictures and drawings completed the collection.
In 1864, Jules Bonnet-Mel, an art collector from Pézenas, bequeathed 400 drawings and 28 paintings. In 1868, Alfred Bruyas offered the works from his private gallery to the city. He is credited with having moved the museum collection into the modern era. In 1870, Jules Canonge, from Nîmes, gave a collection of more than 350 drawings. A legacy of Bruyas of more than 200 works completed his gift in 1877.
In 1968, Mme Sabatier d'Espeyran in accordance with the will of her husband, a diplomat and great bibliophile, gave to the city their hôtel particulier, built under the Third Republic along with its contents.
Around 2001, the Library moved out of the complex, freeing a sizeable area and offering the chance to carry out a major modernisation and enhancement of the building. This took four years and included a whole new wing. The building re-opened in 2007.
On display are ceramics from Greece and the rest of Europe. Furthermore, the museum has a large collection of paintings from the 17th until the 19th century, with a large representation of the luminophiles movement. There is also sculptures.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.