Serrabone Priory is a former monastery of Canons Regular in the commune of Boule-d'Amont. The priory is located in a wild and beautiful area in the valley of the Boulès in the heart of an oak forest, at the centre of the Aspres mountain range. It is famous for its splendid marble rostrum from the 12th century, regarded as a masterpiece of Romanesque art.
The name of the monastery derives from the Catalan serra bona, meaning 'good mountain'. The original foundation - of which order if any is unclear - on the site took place in the 10th or 11th century and is recorded in a document of 1069. In 1082, under the patronage of the local lords and the Count of Conflent, who gave it property and revenues, it was re-established as an Augustinian priory.
The first church at Serrabone had just one nave with a pointed barrel vault. An extensive transformation took place in the 12th century. A transept and three apses replaced the earlier chevet. The principal apse, protruding on the exterior, is flanked by two absidoles enclosed in the walls. On the north side there is a second nave and a bell tower, on the south side a cloister, and another building containing three rooms.
The thick walls of the nave are built of local schist rubble stone. The second construction was more elaborate and used large blocks of cut schist which were carefully placed.
The sculptures in the cloister, the main portal, the window in the apsidole and the gallery, are all worked in pink marble from the Conflent, which makes a startling contrast to the green-grey of the schist.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.