The Château d'Usson is one of the so-called Cathar castles located in the commune of Rouze. It is sited upstream from Axat, along the Aude River gorge, carved out of the foothills of the Pyrenees.
The castle dates from the 11th century (perhaps earlier) and during the Cathar period marked the eastern boundary of the territories of the Counts of Foix. In the 12th century, this was the capital of the Donézan region. Before the défilé was cut through the mountains to link Quillan to Axat, this was an inaccessible outpost providing succour for faidits and other persecuted Cathars. The Cathar bishop of Toulouse Guilhabert de Castres is known to have taken refuge here.
Towards the end of the wars against the Cathars this was one of their last sanctuaries, providing support for Montségur. The seigneurs of Usson, Bernard d'Alion, lord of the Château de Montaillou, and his brother Arnaud d'Usson sent arms and supplies to their besieged comrades there. On 15 March 1244, the day before 225 Cathar parfaits were burned alive at Montségur, four other parfaits left the castle there for Usson, where the Cathar treasure had been evacuated a few months earlier. This mystery has fed a number of theories about the equally mysterious treasure supposedly found at Rennes-le-Château in the 19th century.
Bernard d'Alion was burned alive at Perpignan in 1258. The castle was rebuilt as a French border fortress, and given by Louis XIV to the new Marquis d'Usson. Like other seigneural residences it was sold as communal property at the French Revolution, after which time it was used as a stone quarry.
On display at the castle are parts of the wreckage of a Second World War British Dakota transport aircraft which crashed on 5 December 1944 on a nearby mountain with the loss of seventeen lives.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.