The Abbey of Saint-Gilles is included in the UNESCO Heritage List, as part of the World Heritage Sites of the Routes of Santiago de Compostela in France. According to the legend, it was founded in the 7th century by saint Giles, over lands which had been given him by the Visigoth King Wamba after he had involuntarily wounded the saint during a hunt. The monastery was initially dedicated to St. Peter and St. Paul: however, in the 9th century, the dedication was changed to St. Giles himself, who had become one of the most venerated figures in the area. His relics were housed in the abbey church and attracted numerous pilgrims.
In the 11th century, the monastery was attached to Cluny abbey. Thanks to its prosperity, it was enlarged and decorated from the 12th to the 15th century, when the cloiser was finished. In the 16th century the church, in the course of the Wars of Religion, was devastated when the Huguenots took shelter in it. Restorations were held in the 17th century and again, after further damage during the French Revolution, in the 19th century. The tomb of St. Giles was rediscovered in 1865, becoming again a pilgrim destination from 1965.
The abbey church is in typical southern French Romanesque style. The façade, built from 1120 to 1160, has a decorated entrance portico with three portals with Corinthian columns and medieval sculpture decorations. These include, in the lower sector, a bestiary and scenes from the Old Testament. The bell tower dates to the 18th century.
The crypt, or lower church, dates to the early 11th century. It measures 50 by 25 meters, and occupies the whole subterranean section of the nave. In its center is the tomb of St. Giles, a medieval place of veneration until in the 16th century, his relics were moved to the Basilica of Saint Sernin at Toulouse. The upper church, with a nave and two apses, mostly belongs to the 17th-century reconstruction, aside from the massive pillars in Corinthian style.
Behind the apse are the remains of the ancient choir, which once were part of the originally longer church. Inside the northern wall of the ancient choir is a spiral staircase dating to the 12th century, made of cantilevered stone steps.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.