The Abbey of Saint-Gilles is included in the UNESCO Heritage List, as part of the World Heritage Sites of the Routes of Santiago de Compostela in France. According to the legend, it was founded in the 7th century by saint Giles, over lands which had been given him by the Visigoth King Wamba after he had involuntarily wounded the saint during a hunt. The monastery was initially dedicated to St. Peter and St. Paul: however, in the 9th century, the dedication was changed to St. Giles himself, who had become one of the most venerated figures in the area. His relics were housed in the abbey church and attracted numerous pilgrims.
In the 11th century, the monastery was attached to Cluny abbey. Thanks to its prosperity, it was enlarged and decorated from the 12th to the 15th century, when the cloiser was finished. In the 16th century the church, in the course of the Wars of Religion, was devastated when the Huguenots took shelter in it. Restorations were held in the 17th century and again, after further damage during the French Revolution, in the 19th century. The tomb of St. Giles was rediscovered in 1865, becoming again a pilgrim destination from 1965.
The abbey church is in typical southern French Romanesque style. The façade, built from 1120 to 1160, has a decorated entrance portico with three portals with Corinthian columns and medieval sculpture decorations. These include, in the lower sector, a bestiary and scenes from the Old Testament. The bell tower dates to the 18th century.
The crypt, or lower church, dates to the early 11th century. It measures 50 by 25 meters, and occupies the whole subterranean section of the nave. In its center is the tomb of St. Giles, a medieval place of veneration until in the 16th century, his relics were moved to the Basilica of Saint Sernin at Toulouse. The upper church, with a nave and two apses, mostly belongs to the 17th-century reconstruction, aside from the massive pillars in Corinthian style.
Behind the apse are the remains of the ancient choir, which once were part of the originally longer church. Inside the northern wall of the ancient choir is a spiral staircase dating to the 12th century, made of cantilevered stone steps.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.