Göss Abbey is a former Benedictine nunnery and former Cathedral in Leoben. The nunnery was founded in 1004 by Adula of Leoben, wife of Count Aribo I, and her son, the future Archbishop of Mainz, on the family's ancestral lands. It was settled by canonesses from Nonnberg Abbey in Salzburg. The first abbess was Kunigunde, sister of Archbishop Aribo. Göss was made an Imperial abbey by Henry IV, Holy Roman Emperor, in 1020. The Benedictine Rule was introduced in the 12th century.
Göss Abbey functioned for centuries as a centre for the Styrian aristocracy to have their daughters educated and if necessary accommodated, and entry was strictly limited to members of the nobility.
The nunnery, the last remaining Imperial abbey on Habsburg lands, was dissolved in 1782 in the course of the rationalist reforms of Joseph II, Holy Roman Emperor, and from 1786 served for a short time as the seat of the newly founded Bishopric of Leoben, of which the former abbey church, dedicated to Saint Mary and Saint Andrew, was the cathedral. The first and only bishop died in 1800, and from 1808 the diocese was administered by the Bishops of Seckau until it was formally abolished in 1859. In 1827 the premises were auctioned off and acquired by the wheelwrights' co-operative of Vordernberg, who were primarily interested in the forests of the former abbey's estates. In 1860 the buildings were acquired by a brewer from Graz (the nunnery had had its own brewer since 1459) and have since then been used as a brewery, the Brauerei Göß.
The former abbey church, briefly the cathedral of Leoben, is now used as a parish church. It is a large late Gothic building containing an early Romanesque crypt beneath the choir, some important early Gothic frescoes in the chapel of Saint Michael and an imposing roof.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.