The Schloßberg is the site of ancient fortress in the centre of the city of Graz, Austria. The hill is now a public park and enjoys extensive views of the city. The fortification of the Schloßberg goes back to at least the 10th century. In the mid-16th century, a 400 m long fortress was constructed by architects from the north of Italy. There are records of a cable-hauled lift being in use between 1528 and 1595 to move construction materials for the fortifications. The castle was never conquered, but it was largely demolished by Napoleonic forces under the Treaty of Schönbrunn of 1809. The clock tower (the Uhrturm) and bell tower (the Glockenturm) were spared after the people of Graz paid a ransom for their preservation.
The remains of the castle were turned into a public park by Ludwig von Welden in 1839. The park contains the Uhrturm, the Glockenturm, a cistern and two bastions from the old castle. The Uhrturm is a recognisable icon for the city, and is unusual in that the clock's hands have opposite roles to the common notion, with the larger one marking hours while the smaller is for minutes. The Glockenturm contains Liesl, the heaviest bell in Graz.
Near the Uhrturm there is a café with views over the old town. Additionally, on the western side of the Schloßberg, there are two small cafés, one with table service and the other one with self-service. Next to the terminus of the funicular railway there is a hilltop restaurant with views of western Graz. In what was once the cellar of one of the ruined bastions is the Kasemattenbühne, an open-air stage for concerts and performances.
Below the Schloßberg hill is an extensive system of tunnels, which were created during the second world war to protect the civilian population of Graz from aerial bombing. Some of these tunnels are still accessible, including a passage from Schloßbergplatz to Karmeliterplatz, and a grotto railway for children. Also in the tunnel complex is the Dom im Berg, which was expanded in 2000 to provide a venue space for up to 600 people.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.