The Schloßberg is the site of ancient fortress in the centre of the city of Graz, Austria. The hill is now a public park and enjoys extensive views of the city. The fortification of the Schloßberg goes back to at least the 10th century. In the mid-16th century, a 400 m long fortress was constructed by architects from the north of Italy. There are records of a cable-hauled lift being in use between 1528 and 1595 to move construction materials for the fortifications. The castle was never conquered, but it was largely demolished by Napoleonic forces under the Treaty of Schönbrunn of 1809. The clock tower (the Uhrturm) and bell tower (the Glockenturm) were spared after the people of Graz paid a ransom for their preservation.

The remains of the castle were turned into a public park by Ludwig von Welden in 1839. The park contains the Uhrturm, the Glockenturm, a cistern and two bastions from the old castle. The Uhrturm is a recognisable icon for the city, and is unusual in that the clock's hands have opposite roles to the common notion, with the larger one marking hours while the smaller is for minutes. The Glockenturm contains Liesl, the heaviest bell in Graz.

Near the Uhrturm there is a café with views over the old town. Additionally, on the western side of the Schloßberg, there are two small cafés, one with table service and the other one with self-service. Next to the terminus of the funicular railway there is a hilltop restaurant with views of western Graz. In what was once the cellar of one of the ruined bastions is the Kasemattenbühne, an open-air stage for concerts and performances.

Below the Schloßberg hill is an extensive system of tunnels, which were created during the second world war to protect the civilian population of Graz from aerial bombing. Some of these tunnels are still accessible, including a passage from Schloßbergplatz to Karmeliterplatz, and a grotto railway for children. Also in the tunnel complex is the Dom im Berg, which was expanded in 2000 to provide a venue space for up to 600 people.

References:

Comments

Your name

Website (optional)



Address

Schloßberg, Graz, Austria
See all sites in Graz

Details

Founded: 10th century
Category: Ruins in Austria

Rating

4.7/5 (based on Google user reviews)

User Reviews

JB JB (9 months ago)
The Schloßberg Park is really a wonderful place to see. Indeed, the fortress at the top, the many statues, the beautiful gardens, the breathtaking view of the city of Graz and the unmissable clock tower make this hill a truly unique and atypical place in the region, to see absolutely.
K R (9 months ago)
Beautiful place, a big fortress complex above Graz, offering a stunnic panoramic view of the city. There are several cafe's to enjoy a pleasant day there or one could simply sit on dozens of well situated park benches and relax. A must see!
Antonis Karakottas (9 months ago)
Very nice view of the entire city of Graz! You have to go up there. Very beautiful historical monuments too. You have to go down by the slide.
Marko Matić (10 months ago)
There are four ways to climb on the hill. By foot (260 stairs), by funicular (I think it is still under construction), by elevator or by car. I visited the hill twice, once by foot and second by car. On the hill you are witness to a beautiful sight to the whole city. There is one big clock tower, two restaurants, one big stage for cultural events and one of the most beautiful bars with amazing view over the city. Be aware that this bar is closed almost whole February, so avoid to visit it then :) Try local beer there! It is a perfect spot for romantic moments, so guys you should take your girls there :)
dijana palada (12 months ago)
After visiting Schlossberg we decided to use stairs to climb down the hill. But when we reached the foot of the hill we found out that somebody had closed the fence. We didn't have many choices: like many others we climbed over the fence. That was easy for young and tall persons but the older one needed a help. A big minus for Graz Tourist Board.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Wawel Castle

Wawel Hill – a Jurassic limestone rock, a dominant feature in the landscape of Kraków, have provided a safe haven for people who have settled here since the Paleolithic Age. It is supposed that the Slav people started living on Wawel hill as early as the 7th century. Early medieval legends tell stories about a dreadful dragon that lived in a cave on Wawel Hill, about his slayer Krakus, and about the latter’s daughter Wanda, who drowned herself in the Vistula rather than marry a German knight. Towards the end of the first millennium A.D Wawel began to play the role of the centre of political power.In the 9th century it became the principal fortified castrum of the Vislane tribe. The first historical ruler of Poland, Miesco I (c.965-992) of the Piast dynasty as well as his successors: Boleslas the Brave (992-1025) and Miesco II (1025-1034) chose Wawel Hill as one of their residences.

At that time Wawel became one of the main Polish centres of Christianity. The first early Romanesque and Romanesque sacral buildings were raised here, including a stone cathedral that was erected after the bishopric of Kraków was established in the year 1000.

During the reign of Casimir the Restorer (1034-1058) Wawel became a significant political and administrative centre for the Polish State. Casimir’s son, Boleslas the Bold (1058-1079) began the construction of a second Romanesque cathedral, which was finished by Boleslas the Wrymouth (1102-1138). In his last will of 1138, this prince divided Poland into districts, and provided that Kraków was to be the residence of the senior prince. In 1291 the city of Kraków along with Wawel Hill temporarily fell under the Czech rule, and Wenceslas II from the Premysl dynasty was crowned King of Poland in Wawel cathedral.

In 1306 the Duke of Kuyavia Ladislas the Short (1306-1333) entered Wawel and was crowned King of Poland in the Cathedral in 1320. It was the first historically recorded coronation of a Polish ruler on Wawel Hill. Around that time, at the initiative of Ladislas the Short, the construction of the third Gothic cathedral began, the castle was expanded and the old wooden and earthen fortifications were replaced by brick ones. The tomb of Ladislas the Short in the cathedral started a royal necropolis of Polish kings in Krakow.The last descendant of the Piast dynasty, Casimir the Great (1333-1370) brought Wawel to a state of unprecedented splendour. In 1364 the expanded gothic castle witnessed the marriage of Casimir’s granddaughter Elizabeth to Charles IV accompanied by a famous convention of kings and princes, subsequently entertained by a rich burgher Wierzynek. The accession to the throne in 1385 of Jadwiga from the Hungarian dynasty of Andegavens, and her marriage to a Lithuanian prince Ladislas Jagiello (1386-1434) started another era of prosperity for Wawel. The royal court employed local and western European artists and also Rus painters. During the reign of Casimir Jagiellon (1447-1492) the silhouette of the hill was enriched by three high brick towers: the Thieves’ Tower, the Sandomierz Tower and the Senatorial Tower. The first humanists in Poland and tutors to the king’s sons: historian Jan Długosz and an Italian by the name Filippo Buonacorsi (also known as Callimachus) worked there at that time.

The Italian Renaissance arrived at Wawel in the early 16th century. King Alexander (1501-1506) and his brother Sigismund I the Old (1506-1548) commissioned the construction of a new palace in place of the Gothic residence, with an impressive large courtyard with arcaded galleries which was completed about 1540. Sigismund’s patronage also left an indelible impression in the cathedral, where a family chapel was erected, known today as Sigismund’s Chapel - the work of Bartolomeo of Berrecci Florence, and through various foundations, one of which was that of a large bell, called the Sigismund to commemorate the king. Close artistic and cultural relations with Italy were strengthened in 1518 by the king’s marriage to Bona Sforza. Alongside Italian artists, German architects, wood workers, painters and metal smiths worked for the king. The last descendant of the Jagiellonian dynasty, Sigismund II Augustus (1548-1572), enriched the castle’s interiors with a magnificent collection of tapestries woven in Brussels. In the “Golden Age” of Polish culture Wawel became one of the main centres of humanism in Europe.

The reign of Sigismund III Waza (1587-1632) also made a strong impression on the history of Wawel. After a fire in the castle in 1595 the king rebuilt the burned wing of the building in the early Baroque style. The relocation of the royal court to Warsaw was the cause of a slow but nevertheless steady deterioration in the castle’s condition. The monarchs visited Kraków only occasionally. Restoration of the castle was undertaken during the reign of John III Sobieski, the Wettins and Stanislas Augustus to counteract neglect.

After Poland had lost its independence in 1795, the troops of partitioning nations, Russia, Prussia and Austria, subsequently occupied Wawel which finally passed into the hands of the Austrians. The new owners converted the castle and some of the secular buildings into a military hospital, and demolished some others, including churches. After the period of the Free City of Kraków (1815-1846) Wawel was once more annexed by Austria and turned into a citadel dominating the city. By the resolution passed by the Seym of Galicia in 1880, the castle was presented as a residence to the Emperor of Austria Franz Josef I. The Austrian troops left the hill between 1905-1911. At the turn of the 20th century a thorough restoration of the cathedral was conducted, and shortly afterwards a process of restoration of the royal castle began which lasted several decades.

When Poland regained its independence in 1918, the castle served as an official residence of the Head of State, and as a museum of historic interiors. During the Nazi occupation the castle was the residence of the German governor general, Hans Frank. Polish people managed to remove the most valuable objects, including the tapestries and the “Szczerbiec” coronation sword to Canada, from where they returned as late as 1959-1961. At present, the main curators of Wawel are Wawel Royal Castle – State Art Collection and the Metropolitan Basilica Board on Wawel Hill.