The Mausoleum of Holy Roman Emperor Ferdinand II is located next to the Cathedral of Graz. Turquoise domes stand out against the blue sky above the Mausoleum and, together with the Dom and Katharinenkirche church, define one of the city’s magnificent views.
In 1614 Ferdinand commissioned his Italian court painter and architect to erect a mausoleum and an adjacent St. Catherine's Church next to today's Cathedral. It was to become one of the most important buildings of the early 17th century in Austria. The oval dome above the tomb chapel was the first of its kind built outside Italy. The façade of St. Catherine's is composed with rich small details and demonstrates the taste of time at the threshold of Renaissance and Baroque. As a gable statue, St. Catherine of Alexandria is looking to the former Jesuit college opposite, where in 1585 Graz University was founded. After all, St. Catherine is worshipped as the patron saint of universities.
In 1619 Ferdinand was elected emperor and left Graz for Vienna. Construction work at the Mausoleum came to a standstill. So in 1637 Ferdinand was laid to rest in a half-finished tomb. The vault is dominated by an impressive sarcophagus of red marble. It is the final resting place of Ferdinand's mother, Maria of Bavaria. Just a plain tablet on the wall indicates the grave of Emperor Ferdinand.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.