Miramare Castle and its park were built by order of Ferdinand Maximilian of Habsburg (1832–1867). He was the younger brother of Franz Joseph, Emperor of Austria and later the only monarch of the Second Mexican Empire. In 1850, at the age of eighteen, Maximilian came to Trieste with his brother Charles and, immediately afterwards, he set off on a short cruise toward the Near East. This journey confirmed his intention to sail and to get to know the world. He decided to move to Trieste and to have a home built facing the sea and surrounded by a park worthy of his name and rank.
The castle's grounds include an extensive cliff and seashore park of 22 hectares designed by the archduke. The grounds were completely re-landscaped to feature numerous tropical species of trees and plants.
Designed in 1856 by Carl Junker, an Austrian architect, the architectural structure of Miramare was finished in 1860. The style reflects the artistic interests of the archduke, who was acquainted with the eclectic architectural styles of Austria, Germany and England.
On the ground floor, destined for the use of Maximilian and his wife, Charlotte of Belgium, worthy of note are the bedroom and the archduke’s office, which reproduce the cabin and the stern wardroom respectively of the frigate Novara, the war-ship used by Maximilian when he was Commander of the Navy to circumnavigate the world between 1857 and 1859. All the rooms still feature the original furnishings, ornaments, furniture and objects dating back to the middle of the 19th century. Many coats of arms of the Second Mexican Empire decorate the castle, as well as stone ornamentations on the exterior depicting the Aztec eagle.
The first floor includes guest reception areas and the Throne Room. Of note are the magnificent panelling on the ceiling and walls and the Chinese and Japanese drawing-rooms with their oriental furnishings. Of particular interest is the room decorated with paintings by Cesare Dell’Acqua, portraying events in the life of Maximilian and the history of Miramare. Currently, the rooms in the castle are mostly arranged according to the original layout decided upon by the royal couple. A valuable photographic reportage commissioned by the archduke himself made accurate reconstruction possible.
Nowadays to visit the castle is to experience the fascination of life in the middle of the 19th century in a residence that has remained largely intact and which gives the visitor an insight into the personality of Maximilian.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.