Hall Church is a medieval Lutheran church in Hall on the Swedish island of Gotland. Hall Church dates from the 13th century. Oldest are the nave and choir, built in the second quarter of the century. The tower is somewhat later. Stylistically it is transitional between Romanesque and Gothic architecture. With one central column and four bays, forming two aisles, the nave of the church is the simplest structure fitting the definition of a hall church.
Internally, the church is decorated with frescos that were uncovered during a renovation in 1956. The frescos on the northern wall of the choir are from the 14th century and depict the tree of life, Mary with Christ, Christ on the cross and Christ in a mandorla. The frescos on the southern wall date from 1603 and depict two men in Renaissance clothes kneeling by Christ on the cross. In the nave, additional frescos from the 14th century exist, depicting the Coronation of the Virgin and the weighing of souls.
The triumphal cross is a copy of the original, today found in the Museum of Gotland in Visby. The original, from the 12th century, is supposedly one of the oldest wooden sculptures with still original paint in Europe. Most other furnishings are from post-Reformation times. So for example are the pews from the 17th and 18th centuries, and the pulpit from 1619. The church has a votive ship from 1871.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.